Doug werkt als manager in een luxe hotel waar hij probeert alle gasten het zo goed mogelijk naar hun zin te laten hebben. Van zijn fooien probeert hij geld bijeen te zamelen om ooit zijn eigen droomhotel te kunnen bouwen. Maar zijn fooiengeld is nooit genoeg en wanneer hij uiteindelijk de perfecte sponsor heeft gevonden, blijkt deze een affaire te hebben met de vrouw van Doug's dromen. Doug moet kiezen: het geld of de liefde.
Nee, helaas is For Love or Money nog niet beschikbaar op Netflix in Nederland.
| Writing | Lawrence Konner | Screenplay |
| Production | Brian Grazer | Producer |
| Directing | Barry Sonnenfeld | Director |
| Writing | Mark Rosenthal | Screenplay |
| Production | John S. Lyons | Casting |
| Camera | Oliver Wood | Director of Photography |
| Production | David T. Friendly | Executive Producer |
| Art | Charley Beal | Art Direction |
| Costume & Make-Up | Susan Lyall | Costume Design |
| Editing | Jim Miller | Editor |
| Art | Leslie E. Rollins | Set Decoration |
| Sound | Bruce Broughton | Original Music Composer |
| Crew | Charles Croughwell | Stunt Coordinator |
| Art | Peter S. Larkin | Production Design |
| Production | Graham Place | Co-Producer |
| Crew | Jennifer Lamb | Stunts |
| Crew | Mick O'Rourke | Stunts |
| Crew | Sunnie Merrill | Stunts |
| Crew | Gregg Smrz | Stunts |
| Production | Chris Brigham | Unit Production Manager |
| Directing | Mark McGann | First Assistant Director |
| Directing | Julie A. Bloom | Second Assistant Director |
| Production | Pamela Hochschartner | Production Coordinator |
| Directing | Mary Bailey | Script Supervisor |
| Camera | Tony C. Jannelli | Camera Operator |
| Camera | Angelo Di Giacomo | First Assistant Camera |
| Camera | Liz Dubelman | Second Assistant Camera |
| Camera | Patrick B. O'Brien | Camera Trainee |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Rick Raphael | Steadicam Operator |
| Sound | Peter F. Kurland | Sound Mixer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | John Fundus | Boom Operator |
| Sound | T.J. O'Mara | Boom Operator |
| Crew | Steve Scanlon | Cableman |
| Art | Chris Shriver | Assistant Art Director |
| Art | Julia G. Hickman | Art Department Coordinator |
| Lighting | Russell Engels | Chief Lighting Technician |
| Lighting | Ken Connors | Best Boy Electric |
| Camera | George Patsos | Key Grip |
| Camera | Ed Quinn | Dolly Grip |
| Camera | Billy Patsos | Best Boy Grip |
| Art | William F. Reynolds | Property Master |
| Costume & Make-Up | Bernadette Mazur | Key Makeup Artist |
| Costume & Make-Up | Paul Gebbia | Assistant Makeup Artist |
| Costume & Make-Up | Francesca Paris | Key Hair Stylist |
| Costume & Make-Up | Ralph Stanzione | Assistant Hairstylist |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Costume & Make-Up | Rick Provenzano | Hairstylist |
| Costume & Make-Up | David C. Robinson | Assistant Costume Designer |
| Crew | Kerry Orent | Post Production Supervisor |
| Editing | Suzanne Pillsbury | First Assistant Editor |
| Editing | Cara Silverman | Assistant Editor |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Sound | Philip Stockton | Supervising Dialogue Editor |
| Sound | Laura Civiello | Dialogue Editor |
| Sound | Robert Hein | Dialogue Editor |
| Sound | Gail Showalter | ADR Supervisor |
| Sound | Marissa Littlefield | ADR Editor |
| Sound | Kenton Jakub | ADR Editor |
| Sound | Ron Bochar | Sound Effects Editor |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Bruce Pross | Foley Supervisor |
| Sound | Frank Kern | Foley Editor |
| Sound | Eliza Paley | Foley Editor |
| Sound | Steven Visscher | Foley Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Alex Steyermark | Music Supervisor |
| Sound | James Flatto | Music Editor |
| Sound | Patricia Carlin | Music Editor |
| Production | Christine Sheaks | Casting Associate |
