De president van de Verenigde Staten wordt verliefd op die mooie Sydney Ellen Wade. Sydney is een lobbyiste voor een milieuorganisatie en heeft de taak om de nieuwe milieuwet zo onbeschadigd mogelijk door het congres heen te krijgen. Ze beginnen een relatie, waardoor zijn presidentschap gevaar loopt.
Nee, helaas is The American President nog niet beschikbaar op Netflix in Nederland.
| Directing | Rob Reiner | Director |
| Production | Rob Reiner | Producer |
| Camera | John Seale | Director of Photography |
| Editing | Robert Leighton | Editor |
| Sound | Marc Shaiman | Original Music Composer |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Camera | M. Todd Henry | Camera Operator |
| Camera | Nicola Pecorini | Steadicam Operator |
| Camera | Calmar Roberts | First Assistant Camera |
| Directing | Trevor Loomis | Second Assistant Director |
| Camera | J. Steven Matzinger | First Assistant "B" Camera |
| Camera | Rodney Sandoval | Camera Loader |
| Production | Debra James | Production Coordinator |
| Production | Richard Davis, Jr. | Location Manager |
| Directing | William M. Connor | Second Second Assistant Director |
| Sound | Robert Eber | Sound Mixer |
| Sound | George Baetz | Boom Operator |
| Sound | Roger Stevenson | Boom Operator |
| Editing | Alan Edward Bell | Associate Editor |
| Editing | Karen Dimmig | Assistant Editor |
| Editing | Albert Farrar | Assistant Editor |
| Editing | Danny Miller | Assistant Editor |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Art | Trish Gallaher Glenn | Property Master |
| Lighting | Jack English | Gaffer |
| Camera | J. Patrick Daily | Key Grip |
| Costume & Make-Up | Chuck Velasco | Costume Supervisor |
| Costume & Make-Up | Pamela Wise | Costume Supervisor |
| Costume & Make-Up | Daniel C. Striepeke | Key Makeup Artist |
| Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
| Art | Nick Navarro | Set Designer |
| Art | Louis Montejano | Set Designer |
| Art | Eric W. Orbom | Set Designer |
| Art | Alan S. Kaye | Set Designer |
| Visual Effects | Clay Pinney | Special Effects Supervisor |
| Crew | Alan Edward Bell | Post Production Supervisor |
| Camera | François Duhamel | Still Photographer |
| Visual Effects | Ken Ralston | Visual Effects Supervisor |
| Visual Effects | Debbie Denise | Visual Effects Producer |
| Sound | Alison Fisher | Dialogue Editor |
| Art | Jess Gonchor | Construction Foreman |
| Directing | Anne Rapp | Script Supervisor |
| Production | Jane Jenkins | Casting |
| Production | Janet Hirshenson | Casting |
| Art | Lilly Kilvert | Production Design |
| Production | Jeffrey Stott | Executive Producer |
| Production | Charles Newirth | Executive Producer |
| Writing | Aaron Sorkin | Writer |
| Production | Charles Newirth | Unit Production Manager |
| Directing | Frank Capra III | First Assistant Director |
| Directing | Cherylanne Martin | Second Assistant Director |
| Production | Allegra Clegg | Production Supervisor |
| Production | Barbara Maltby | Associate Producer |
| Art | John Warnke | Art Direction |
| Art | Karen O'Hara | Set Decoration |
| Directing | Kerry Lyn McKissick | Script Supervisor |
| Sound | Robert Grieve | Supervising Sound Editor |
| Costume & Make-Up | Lydia Bensimmon | Makeup Artist |
| Costume & Make-Up | Hallie D'Amore | Makeup Artist |
| Costume & Make-Up | Valli O'Reilly | Makeup Artist |
| Costume & Make-Up | Tom Lucas | Makeup Artist |
| Costume & Make-Up | Kathryn Blondell | Hairstylist |
