Nadat ze een uitvoering heeft gezien van Shakespeare's 'King Richard', krijgt Philippa Langley sympathie voor de controversiële koning. Ze begint een historisch onderzoek en ontdekt dat koning Richard lll ten onrechte een slechte reputatie heeft. Als ze een speurtocht onderneemt naar zijn overblijfselen stuit Philippa op veel scepsis. Maar dat weerhoudt haar niet om stug door te gaan. Gebaseerd op ware feiten.
Nee, helaas is The Lost King nog niet beschikbaar op Netflix in Nederland.
| Editing | Pia Di Ciaula | Editor |
| Production | Leo Davis | Casting |
| Crew | Stuart Kennedy | Carpenter |
| Production | Philippa Langley | Executive Producer |
| Production | Dan Winch | Producer |
| Production | Steve Coogan | Producer |
| Crew | Suzanna Swanson-Johnston | Floor Runner |
| Art | Stephen Mason | Supervising Art Director |
| Sound | Howard Bargroff | Sound Re-Recording Mixer |
| Sound | Jamie Roden | Sound Re-Recording Mixer |
| Visual Effects | Evelyn Minango | Visual Effects Coordinator |
| Lighting | Lee Perkins | Best Boy Electrician |
| Directing | Lucy Enfield | Script Supervisor |
| Production | Christine Langan | Producer |
| Sound | Oliver Brierley | Sound Re-Recording Mixer |
| Sound | Stuart Bruce | Sound Recordist |
| Lighting | Finlay Anderson | Lighting Technician |
| Production | Wendy Griffin | Co-Producer |
| Camera | Thomas Barber | Second Assistant Camera |
| Production | Rose Garnett | Executive Producer |
| Art | Alison Meloy | Graphic Designer |
| Camera | Anna Benbow | First Assistant Camera |
| Sound | Kobi Quist | Sound Mix Technician |
| Sound | Barnaby Smyth | Foley Supervisor |
| Costume & Make-Up | Susie Will | Costume Supervisor |
| Production | Morven Ross | Location Manager |
| Crew | Kenny Flockhart | Driver |
| Directing | Marcus Collier | First Assistant Director |
| Directing | Angus Finlayson | Second Assistant Director |
| Production | Jenny Borgars | Executive Producer |
| Sound | Phil Diamond | Boom Operator |
| Sound | Barnaby Smyth | Foley Artist |
| Camera | Matthew Hollis | Camera Trainee |
| Art | Jean Kerr | Art Direction |
| Visual Effects | Jonathan Atkins-Pott | Digital Compositor |
| Camera | Graeme Hunter | Still Photographer |
| Crew | Stuart W. Fraser | Driver |
| Production | Jeff Pope | Executive Producer |
| Costume & Make-Up | Rhona Russell | Costume Design |
| Costume & Make-Up | Maxine Dallas | Makeup Designer |
| Art | Nicola Roberts | Graphic Designer |
| Production | Andrea Scarso | Executive Producer |
| Camera | Zac Nicholson | Director of Photography |
| Production | Lissy Holm | Casting |
| Sound | Dean Covill | ADR Mixer |
| Camera | Nelisa Alcalde | Camera Trainee |
| Art | Andy Harris | Production Design |
| Sound | Simon Diggins | ADR Mixer |
| Sound | Phil Lee | Sound Effects Editor |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Jamie Roden | Dialogue Editor |
| Production | Cameron McCracken | Executive Producer |
| Sound | Alex Stylianou | ADR Recordist |
| Visual Effects | James D. Etherington | VFX Supervisor |
| Art | Anne-Marie Coulter | Set Decoration |
| Costume & Make-Up | Vivienne Simpson | Hair Supervisor |
| Crew | Jeanette Haley | Post-Production Manager |
| Crew | Paul-John Ross | Special Effects |
| Lighting | Harlon Haveland | Gaffer |
| Crew | Roddy Bainton | Driver |
| Production | Lloret Dunn | Location Manager |
| Crew | Carter Ferguson | Stunts |
| Lighting | Katie Iles-Spencer | Electrician |
| Visual Effects | Paul O'Hara | Visual Effects Producer |
| Camera | Harry Bennett-Snewin | Digital Imaging Technician |
| Directing | Stephen Frears | Director |
| Writing | Steve Coogan | Writer |
| Writing | Jeff Pope | Writer |
| Sound | Alexandre Desplat | Original Music Composer |
| Production | Katarina Complova | Production Runner |
| Directing | David Crabtree | First Assistant Director |
