Bill Blake reist voor een baan als boekhouder naar een negentiende-eeuws pioniersstadje om daar tot de ontdekking te komen dat hij ongewenst is. Als hij dezelfde dag in een schietgevecht per ongeluk de zoon van een machtige fabrikant doodt, is hij op slag een outlaw, achterna gezeten door een posse van premiejagers.
Nee, helaas is Dead Man nog niet beschikbaar op Netflix in Nederland.
| Art | Bob Ziembicki | Production Design |
| Camera | Robby Müller | Director of Photography |
| Editing | Jay Rabinowitz | Editor |
| Directing | Jim Jarmusch | Director |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Visual Effects | Jon Farhat | Visual Effects Supervisor |
| Costume & Make-Up | Marit Allen | Costume Design |
| Sound | Robert Hein | Supervising Sound Editor |
| Sound | Magdaline Volaitis | Sound Effects Editor |
| Writing | Jim Jarmusch | Screenplay |
| Crew | Al Jones | Stunt Coordinator |
| Production | Demetra J. MacBride | Producer |
| Production | Laura Rosenthal | Casting |
| Art | Ted Berner | Art Direction |
| Art | Dayna Lee | Set Decoration |
| Sound | Neil Young | Original Music Composer |
| Production | Ellen Lewis | Casting |
| Crew | Erik Stabenau | Stunts |
| Production | Beth DePatie | Production Manager |
| Costume & Make-Up | Tom Irvin | Special Effects Makeup Artist |
| Crew | Michael Blair | Carpenter |
| Crew | Mark Balda | Carpenter |
| Costume & Make-Up | Richard Alonzo | Prosthetic Makeup Artist |
| Crew | Cheyenne Ali | Scenic Artist |
| Costume & Make-Up | Todd Kleitsch | Assistant Makeup Artist |
| Costume & Make-Up | Leon Laderach | Prosthetics |
| Art | Michael Bennett | Greensman |
| Directing | Constance L. Hoy | Second Second Assistant Director |
| Directing | Todd Pfeiffer | First Assistant Director |
| Costume & Make-Up | Joel Harlow | Special Effects Makeup Artist |
| Directing | Jude Gorjanc | Second Assistant Director |
| Art | Arthur Allyn | Construction Foreman |
| Costume & Make-Up | Clare M. Corsick | Hairstylist |
| Costume & Make-Up | Christopher Allen Nelson | Special Effects Makeup Artist |
| Art | Edie Douglass | Assistant Property Master |
| Art | Suzanne Lapick | Assistant Property Master |
| Art | Tony Gibson | Swing |
| Costume & Make-Up | Kevin Hughes | On Set Dresser |
| Crew | George A. Fleming | Scenic Artist |
| Art | Bill Holmquist | Construction Coordinator |
| Crew | Craig Anthony Muzio | Scenic Artist |
| Art | Kenneth Stellar | Greensman |
| Costume & Make-Up | David Dupuis | Prosthetics |
| Costume & Make-Up | Scott W. Farley | Key Hair Stylist |
| Costume & Make-Up | Neal Martz | Key Makeup Artist |
| Art | Elizabeth A. Beckman | Art Department Coordinator |
| Crew | Jack Orlando | Carpenter |
| Art | John Pattison | Property Master |
| Art | Karen M. Clark | Swing |
| Crew | James Stephenson | Carpenter |
| Art | John A. Foote | Swing |
| Art | Richard Lambert | Leadman |
| Crew | Walt Mikolwski | Carpenter |
| Art | Terry Kempf | Head Carpenter |
| Crew | Mark Borg | Carpenter |
| Sound | Hextro | Sound Re-Recording Mixer |
| Crew | John C. Carlucci | Special Effects Assistant |
| Visual Effects | Marc Rubone | Animation |
| Sound | Mark Goodermote | Boom Operator |
| Sound | Mark DeSimone | ADR Mixer |
| Visual Effects | Daniel Leung | Digital Compositor |
| Visual Effects | Anne Putnam Kolbe | Visual Effects Coordinator |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Frank Kern | Foley Editor |
| Visual Effects | Joe Garert | Compositing Artist |
| Sound | Julie Lindner | Assistant Sound Editor |
| Crew | Mark Habegger | Special Effects Manager |
| Visual Effects | Marc Rubone | Rotoscoping Artist |
| Sound | Dan Evans Farkas | Assistant Sound Editor |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Visual Effects | Steven T Puri | Visual Effects Producer |
| Sound | Coll Anderson | Sound Recordist |
| Lighting | James Brisbin | Electrician |
| Lighting | Jon Hokanson | Electrician |
| Crew | Kenneth Sylvester | Scenic Artist |
| Sound | Stacey Tanner | Sound Recordist |
| Art | Brick Mason | Storyboard Artist |
| Sound | Héctor Cordero | Sound Re-Recording Mixer |
| Visual Effects | Ken Smith | Compositing Artist |
| Visual Effects | Mimi Abers | Digital Compositor |
| Art | Stephen M. Vernarelli | Set Designer |
| Sound | Kam Chan | Foley Editor |
| Sound | Keith Culbertson | Sound Re-Recording Mixer |
| Crew | Tori Bridges | Stunts |
| Sound | Kimberly R. McCord-Wilson | Apprentice Sound Editor |
| Sound | Sylvia Menno | Dialogue Editor |
| Crew | Joe Fordham | Special Effects Coordinator |
| Production | Shari Hilliard | Art Department Production Assistant |
| Sound | Bruce Pross | Foley Supervisor |
| Art | Mae Brunken | Set Designer |
| Costume & Make-Up | Nori Honda | Special Effects Makeup Artist |
| Camera | Kenny Davis | Dolly Grip |
| Lighting | Todd Heater | Electrician |
| Camera | Lisa K. Ferguson | Second Assistant Camera |
| Camera | Pim Tjujerman | First Assistant Camera |
| Lighting | Michael Palmer | Best Boy Electric |
| Camera | Bobby L. Smith | Grip |
| Camera | Robert K. Feldmann | Key Grip |
| Camera | Chris Lombardi | Second Unit Director of Photography |
| Camera | Byron McCulloch | Best Boy Grip |
| Lighting | Christopher Porter | Gaffer |
| Camera | Christine Parry | Still Photographer |
| Camera | Eric Budlong | Grip |
| Camera | Jeff Mart | Steadicam Operator |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | Bob Gorelick | Steadicam Operator |
| Camera | Tony J. Pirri | Grip |
| Production | Karen Koch | Co-Producer |
| Costume & Make-Up | Patty York | Makeup Artist |
| Sound | Drew Kunin | Sound Mixer |
| Sound | Eugene Gearty | Sound Effects Editor |
