Een man zoekt een cadeau voor zijn zoon en vindt in Chinatown een klein lief beestje. Er zijn echter drie regels waar hij zich moet houden: geen water, geen eten na middernacht en geen fel licht. Als het beestje echter, doordat zijn zoon hier niet goed op let, groene Gremlins begint te kweken, breekt de hel los.
Nee, helaas is Gremlins nog niet beschikbaar op Netflix in Nederland.
| Production | Susan Arnold | Casting |
| Directing | Joe Dante | Director |
| Production | Michael Finnell | Producer |
| Sound | Noel Regney | Original Music Composer |
| Art | James H. Spencer | Production Design |
| Art | Jackie Carr | Set Decoration |
| Crew | Mike H. McGaughy | Stunt Coordinator |
| Editing | Tina Hirsch | Editor |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Crew | Rudy Doucette | Stunts |
| Production | Steven Spielberg | Executive Producer |
| Camera | John Hora | Director of Photography |
| Sound | Kenneth Hall | Music Editor |
| Sound | Jerry Goldsmith | Original Music Composer |
| Costume & Make-Up | Cheri Ruff | Hairstylist |
| Crew | Bob MacDonald Jr. | Special Effects |
| Costume & Make-Up | Greg LaCava | Makeup Artist |
| Art | Bruce Edwin Gregory | Assistant Property Master |
| Sound | Ken King | Production Sound Mixer |
| Sound | John Roesch | Foley Artist |
| Sound | Tim Mangini | Assistant Sound Editor |
| Sound | Stephen Purvis | Dialogue Editor |
| Sound | Warren Hamilton Jr. | Sound Editor |
| Writing | Chris Columbus | Writer |
| Sound | Joan Rowe | Foley Artist |
| Sound | David E. Stone | Sound Editor |
| Sound | Mark Mangini | Supervising Sound Editor |
| Art | Marty Wunderlich | Property Master |
| Sound | Arthur Morton | Orchestrator |
| Crew | Robert Neilson | Transportation Coordinator |
| Crew | Steven Spielberg | Presenter |
| Costume & Make-Up | Norman A. Burza | Costume Supervisor |
| Production | Karen Shaw | Production Secretary |
| Camera | William Kenney | Dolly Grip |
| Crew | Terry Leonard | Stunt Coordinator |
| Visual Effects | Rocco Gioffre | Matte Painter |
| Camera | Norman Cattell | First Assistant Camera |
| Camera | Robert Miller | Best Boy Grip |
| Camera | Michael A. Jones | Camera Operator |
| Editing | Robert Raring | Color Timer |
| Crew | Dave Robling | Transportation Captain |
| Lighting | Ron Kenyon | Best Boy Electric |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Crew | Ray Berwick | Animal Coordinator |
| Camera | Lex Rawlins | Second Assistant Camera |
| Visual Effects | Chris Walas | Creature Design |
| Production | Frank Marshall | Executive Producer |
| Production | Kathleen Kennedy | Executive Producer |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Art | Michael Muscarella | Construction Coordinator |
| Directing | Kenneth Gilbert | Script Supervisor |
| Art | William F. Matthews | Set Designer |
| Crew | Rob Harris | Unit Publicist |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Lighting | Norman Harris | Gaffer |
| Directing | Carol Green | Second Assistant Director |
| Sound | Douglas Vaughan | Boom Operator |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Mike H. McGaughy | Stunts |
| Crew | Gene McLaughlin | Stunts |
| Sound | Bill Varney | Sound Re-Recording Mixer |
| Editing | Tom Finan | Assistant Editor |
| Production | Phil Rawlins | Unit Production Manager |
| Crew | Rosemary Johnston | Stunts |
| Directing | James Quinn | First Assistant Director |
| Camera | Richard Moran | Key Grip |
