Een man zoekt een cadeau voor zijn zoon en vindt in Chinatown een klein lief beestje. Er zijn echter drie regels waar hij zich moet houden: geen water, geen eten na middernacht en geen fel licht. Als het beestje echter, doordat zijn zoon hier niet goed op let, groene Gremlins begint te kweken, breekt de hel los.
Nee, helaas is Gremlins nog niet beschikbaar op Netflix in Nederland.
Sound | Richard L. Anderson | Supervising Sound Editor |
Crew | Bob MacDonald Jr. | Special Effects |
Crew | Mike H. McGaughy | Stunt Coordinator |
Art | Jackie Carr | Set Decoration |
Art | James H. Spencer | Production Design |
Directing | Joe Dante | Director |
Camera | John Hora | Director of Photography |
Editing | Tina Hirsch | Editor |
Costume & Make-Up | Cheri Ruff | Hairstylist |
Sound | Kenneth Hall | Music Editor |
Crew | Rudy Doucette | Stunts |
Production | Michael Finnell | Producer |
Production | Steven Spielberg | Executive Producer |
Sound | Noel Regney | Original Music Composer |
Costume & Make-Up | Greg LaCava | Makeup Artist |
Production | Susan Arnold | Casting |
Sound | Jerry Goldsmith | Original Music Composer |
Crew | Terry Leonard | Stunt Coordinator |
Art | Marty Wunderlich | Property Master |
Lighting | Ron Kenyon | Best Boy Electric |
Sound | Ken King | Production Sound Mixer |
Sound | David E. Stone | Sound Editor |
Camera | William Kenney | Dolly Grip |
Crew | Ray Berwick | Animal Coordinator |
Sound | Warren Hamilton Jr. | Sound Editor |
Sound | John Roesch | Foley Artist |
Camera | Lex Rawlins | Second Assistant Camera |
Writing | Chris Columbus | Writer |
Visual Effects | Rocco Gioffre | Matte Painter |
Sound | Mark Mangini | Supervising Sound Editor |
Camera | Michael A. Jones | Camera Operator |
Editing | Robert Raring | Color Timer |
Sound | Tim Mangini | Assistant Sound Editor |
Sound | Stephen Purvis | Dialogue Editor |
Sound | Joan Rowe | Foley Artist |
Costume & Make-Up | Linda Matthews | Costume Supervisor |
Art | Bruce Edwin Gregory | Assistant Property Master |
Camera | Robert Miller | Best Boy Grip |
Crew | Robert Neilson | Transportation Coordinator |
Camera | Norman Cattell | First Assistant Camera |
Sound | Arthur Morton | Orchestrator |
Production | Karen Shaw | Production Secretary |
Crew | Steven Spielberg | Presenter |
Costume & Make-Up | Norman A. Burza | Costume Supervisor |
Crew | Dave Robling | Transportation Captain |
Visual Effects | Chris Walas | Creature Design |
Directing | Carol Green | Second Assistant Director |
Sound | Douglas Vaughan | Boom Operator |
Production | Frank Marshall | Executive Producer |
Production | Kathleen Kennedy | Executive Producer |
Production | Phil Rawlins | Unit Production Manager |
Editing | Donah Bassett | Negative Cutter |
Camera | Richard Moran | Key Grip |
Crew | Mike H. McGaughy | Stunts |
Sound | Steve Maslow | Sound Re-Recording Mixer |
Art | Michael Muscarella | Construction Coordinator |
Crew | Rosemary Johnston | Stunts |
Sound | Bill Varney | Sound Re-Recording Mixer |
Editing | Tom Finan | Assistant Editor |
Directing | Kenneth Gilbert | Script Supervisor |
Camera | Ralph Nelson Jr. | Still Photographer |
Lighting | Norman Harris | Gaffer |
Sound | Kevin O'Connell | Sound Re-Recording Mixer |
Art | William F. Matthews | Set Designer |
Crew | Rob Harris | Unit Publicist |
Crew | Gene McLaughlin | Stunts |
Directing | James Quinn | First Assistant Director |
Sound | Alexander Courage | Orchestrator |