De film vertelt het verhaal van Rainbow Randolph (Williams), de corrupte ster van een populair kinderprogramma op TV. Hij wordt ontslagen vanwege een omkoopschandaal, en wordt vervangen door de vriendelijk pluizige paarse neushoorn Smoochy (Norton). Terwijl Smoochy steeds populairder wordt, is hij meerdere malen het doel van de pogingen tot wraak van Randolph, die zijn status van lieveling van het land terug wil.
Nee, helaas is Death to Smoochy nog niet beschikbaar op Netflix in Nederland.
| Directing | David Webb | First Assistant Director |
| Production | Nan Skiba | Production Manager |
| Art | Howard Cummings | Production Design |
| Costume & Make-Up | Jane Ruhm | Costume Design |
| Production | Lisa Reardon | Associate Producer |
| Camera | J. Wayne Parker | Key Grip |
| Costume & Make-Up | Ve Neill | Makeup Designer |
| Camera | Peter Luxford | "B" Camera Operator |
| Sound | Bobby Mackston | Supervising Dialogue Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Crew | Jeffrey Lee Gibson | Stunt Coordinator |
| Crew | Rick Parker | Stunts |
| Camera | Angelo Colavecchia | Steadicam Operator |
| Art | Vic Rigler | Property Master |
| Sound | Marko Costanzo | Foley Artist |
| Crew | Paul Rutledge | Stunts |
| Crew | Bryan J. Thomas | Stunts |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Editing | Lara Johnston | First Assistant Editor |
| Editing | Mo Henry | Negative Cutter |
| Editing | Bob Kaiser | Color Timer |
| Crew | Christopher McGuire | Stunts |
| Visual Effects | Jeffrey A. Okun | Visual Effects Supervisor |
| Art | Tamara Deverell | Art Direction |
| Lighting | Gary Deneault | Chief Lighting Technician |
| Sound | Skip Lievsay | Sound Re-Recording Mixer |
| Production | Jill Besnoy | Co-Producer |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Camera | Takashi Seida | Still Photographer |
| Sound | Renée Tondelli | Supervising ADR Editor |
| Lighting | Morris Flam | Chief Lighting Technician |
| Directing | Michael Risoli | Second Assistant Director |
| Camera | Angelo Colavecchia | "A" Camera Operator |
| Camera | John Colavecchia | First Assistant "A" Camera |
| Sound | David Kelson | Production Sound Mixer |
| Costume & Make-Up | Marlene Aarons | Key Makeup Artist |
| Sound | Norm MacLeod | Dialogue Editor |
| Sound | Tom Villano | Supervising Music Editor |
| Directing | Jack Boem | Second Second Assistant Director |
| Production | Doug Davison | Co-Producer |
| Sound | Adam Resnick | Songs |
| Crew | Jamie Jones | Stunt Coordinator |
| Crew | Kent W. Luttrell | Stunts |
| Crew | Keith Siglinger | Stunts |
| Sound | Erika Schengili-Roberts | Boom Operator |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Production | John Kreidman | Associate Producer |
| Crew | Dave Van Zeyl | Stunts |
| Art | Enrico Campana | Set Decoration |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Sound | Jason McFarling | Boom Operator |
| Sound | George A. Lara | Foley Mixer |
| Sound | David Newman | Songs |
| Art | Joe Curtin | Construction Coordinator |
| Costume & Make-Up | Cheri Minns | Makeup Artist |
| Costume & Make-Up | Ve Neill | Makeup Supervisor |
| Production | Joshua Levinson | Associate Producer |
| Production | Jody Hedien | Co-Producer |
| Art | Gary Harmer | Leadman |
| Costume & Make-Up | Mia Sturup | Assistant Costume Designer |
| Writing | Adam Resnick | Screenplay |
| Production | Andrew Lazar | Producer |
| Editing | Jon Poll | Editor |
| Production | Peter Macgregor-Scott | Producer |
| Directing | Danny DeVito | Director |
| Sound | David Newman | Original Music Composer |
| Camera | Anastas N. Michos | Director of Photography |
| Crew | Peter Epstein | Stunts |
| Production | Margery Simkin | Casting |
| Art | Daniel Kenney | Assistant Property Master |
| Crew | Shelley Cook | Stunts |
| Sound | Skip Lievsay | Supervising Sound Editor |
