Een jonge knaap, die duidelijk te diep in het glaasje heeft gekeken, rijdt 's avonds door het rustieke Amerikaanse stadje Middleton naar huis. Dan een harde klap - de auto wordt door iets geraakt. De klok op het dashboard wijst aan dat het 11:14 uur is. Tegelijkertijd gebeuren er in Middleton meer dingen op precies datzelfde moment. Vier dingen om precies te zijn, en ze kunnen geen van alle het daglicht verdragen.
Nee, helaas is 11:14 nog niet beschikbaar op Netflix in Nederland.
| Production | Hilary Swank | Executive Producer |
| Editing | Richard Nord | Editor |
| Camera | Shane Hurlbut | Director of Photography |
| Sound | Clint Mansell | Original Music Composer |
| Editing | Dan Lebental | Editor |
| Production | Beau Flynn | Producer |
| Directing | Greg Marcks | Director |
| Production | John Morrissey | Producer |
| Crew | Steven Lambert | Stunts |
| Art | Morgan Blackledge | Assistant Art Director |
| Art | Scott Bauer | Property Master |
| Costume & Make-Up | Janet Ingram | Costume Supervisor |
| Camera | Gary Hatfield | "A" Camera Operator |
| Production | Bonnie Weis | Production Supervisor |
| Camera | George Billinger III | Steadicam Operator |
| Camera | Aiken Weiss | Steadicam Operator |
| Crew | Gary Price | Stunts |
| Costume & Make-Up | Annie Laoparadonchai | Set Costumer |
| Art | Nancy Restuccia | Art Department Coordinator |
| Sound | Shawn Holden | Sound Mixer |
| Sound | John Hays | Boom Operator |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Camera | Darryl Wilson | Best Boy Grip |
| Camera | Dietmar Wendelin | Dolly Grip |
| Directing | Scott Peterson | Script Supervisor |
| Camera | David Knudson | Key Grip |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Camera | Lorey Sebastian | Still Photographer |
| Camera | Jim Sheldon | Still Photographer |
| Crew | James Ochoa | Special Effects |
| Directing | Paul Domick | Second Second Assistant Director |
| Crew | Barry McQueary | Special Effects |
| Crew | J.J. Geary | Craft Service |
| Art | David Harris | Greensman |
| Production | Jeremy Alter | Location Manager |
| Crew | John C. Carlucci | Special Effects |
| Production | Erin Rodman | Production Assistant |
| Sound | Mike Le Mare | Supervising Sound Editor |
| Sound | Jason Piatt | Foley Recordist |
| Sound | Gregg Barbanell | Foley Artist |
| Crew | Brad Arensman | Post Production Supervisor |
| Sound | Eric Thompson | ADR Mixer |
| Sound | Chris Navarro | ADR Recordist |
| Sound | John K. Adams | ADR Editor |
| Production | Bob Weber | Production Accountant |
| Sound | Robert Fitzgerald | Sound Effects Editor |
| Editing | Dennis McNeill | Color Timer |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Joshua Winget | Music Editor |
| Production | Tripp Vinson | Executive Producer |
| Production | Mary Vernieu | Casting |
| Production | Raju Patel | Executive Producer |
| Art | Martha Ring | Set Decoration |
| Art | Devorah Herbert | Production Design |
| Production | Sammy Lee | Executive Producer |
| Art | Macie Vener | Art Direction |
| Writing | Greg Marcks | Writer |
| Production | Stewart Hall | Executive Producer |
| Production | Jeff Kwatinetz | Executive Producer |
| Production | Mark Damon | Executive Producer |
| Production | Felicia Fasano | Casting |
| Production | David Scott Rubin | Executive Producer |
| Production | David Scott Rubin | Unit Production Manager |
| Crew | Joel Kramer | Stunt Coordinator |
| Crew | Scott Leva | Stunts |
| Costume & Make-Up | Petrice Bankhead | Makeup Department Head |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
| Costume & Make-Up | Dorothy J. Pearl | Key Makeup Artist |
