Een jonge knaap, die duidelijk te diep in het glaasje heeft gekeken, rijdt 's avonds door het rustieke Amerikaanse stadje Middleton naar huis. Dan een harde klap - de auto wordt door iets geraakt. De klok op het dashboard wijst aan dat het 11:14 uur is. Tegelijkertijd gebeuren er in Middleton meer dingen op precies datzelfde moment. Vier dingen om precies te zijn, en ze kunnen geen van alle het daglicht verdragen.
Nee, helaas is 11:14 nog niet beschikbaar op Netflix in Nederland.
| Production | Beau Flynn | Producer |
| Directing | Greg Marcks | Director |
| Production | Hilary Swank | Executive Producer |
| Camera | Shane Hurlbut | Director of Photography |
| Editing | Richard Nord | Editor |
| Sound | Clint Mansell | Original Music Composer |
| Editing | Dan Lebental | Editor |
| Production | John Morrissey | Producer |
| Costume & Make-Up | Annie Laoparadonchai | Set Costumer |
| Crew | Steven Lambert | Stunts |
| Art | Morgan Blackledge | Assistant Art Director |
| Art | Scott Bauer | Property Master |
| Camera | Aiken Weiss | Steadicam Operator |
| Art | Nancy Restuccia | Art Department Coordinator |
| Costume & Make-Up | Janet Ingram | Costume Supervisor |
| Crew | Gary Price | Stunts |
| Production | Bonnie Weis | Production Supervisor |
| Camera | George Billinger III | Steadicam Operator |
| Camera | Gary Hatfield | "A" Camera Operator |
| Sound | Shawn Holden | Sound Mixer |
| Sound | John Hays | Boom Operator |
| Crew | James Ochoa | Special Effects |
| Production | Jeremy Alter | Location Manager |
| Production | Erin Rodman | Production Assistant |
| Camera | Dietmar Wendelin | Dolly Grip |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Camera | David Knudson | Key Grip |
| Directing | Scott Peterson | Script Supervisor |
| Camera | Darryl Wilson | Best Boy Grip |
| Art | David Harris | Greensman |
| Camera | Lorey Sebastian | Still Photographer |
| Crew | J.J. Geary | Craft Service |
| Crew | John C. Carlucci | Special Effects |
| Camera | Jim Sheldon | Still Photographer |
| Directing | Paul Domick | Second Second Assistant Director |
| Crew | Barry McQueary | Special Effects |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Chris Navarro | ADR Recordist |
| Crew | Brad Arensman | Post Production Supervisor |
| Sound | John K. Adams | ADR Editor |
| Sound | Eric Thompson | ADR Mixer |
| Sound | Mike Le Mare | Supervising Sound Editor |
| Sound | Jason Piatt | Foley Recordist |
| Production | Bob Weber | Production Accountant |
| Sound | Robert Fitzgerald | Sound Effects Editor |
| Sound | Gregg Barbanell | Foley Artist |
| Editing | Dennis McNeill | Color Timer |
| Sound | Joshua Winget | Music Editor |
| Production | Jeff Kwatinetz | Executive Producer |
| Art | Devorah Herbert | Production Design |
| Writing | Greg Marcks | Writer |
| Art | Macie Vener | Art Direction |
| Production | Mary Vernieu | Casting |
| Production | Mark Damon | Executive Producer |
| Production | Raju Patel | Executive Producer |
| Production | Felicia Fasano | Casting |
| Production | Tripp Vinson | Executive Producer |
| Art | Martha Ring | Set Decoration |
| Production | Stewart Hall | Executive Producer |
| Production | Sammy Lee | Executive Producer |
| Production | David Scott Rubin | Executive Producer |
| Production | David Scott Rubin | Unit Production Manager |
| Crew | Joel Kramer | Stunt Coordinator |
| Crew | Scott Leva | Stunts |
| Costume & Make-Up | Petrice Bankhead | Makeup Department Head |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Costume & Make-Up | Dorothy J. Pearl | Key Makeup Artist |
| Crew | Clint Lilley | Stunts |
| Directing | Chris Edmonds | First Assistant Director |
| Directing | Michelle Edmonds | Second Assistant Director |
