Een jonge knaap, die duidelijk te diep in het glaasje heeft gekeken, rijdt 's avonds door het rustieke Amerikaanse stadje Middleton naar huis. Dan een harde klap - de auto wordt door iets geraakt. De klok op het dashboard wijst aan dat het 11:14 uur is. Tegelijkertijd gebeuren er in Middleton meer dingen op precies datzelfde moment. Vier dingen om precies te zijn, en ze kunnen geen van alle het daglicht verdragen.
Nee, helaas is 11:14 nog niet beschikbaar op Netflix in Nederland.
| Directing | Greg Marcks | Director |
| Production | Beau Flynn | Producer |
| Production | John Morrissey | Producer |
| Production | Hilary Swank | Executive Producer |
| Sound | Clint Mansell | Original Music Composer |
| Camera | Shane Hurlbut | Director of Photography |
| Editing | Dan Lebental | Editor |
| Editing | Richard Nord | Editor |
| Crew | Steven Lambert | Stunts |
| Crew | Gary Price | Stunts |
| Production | Bonnie Weis | Production Supervisor |
| Art | Morgan Blackledge | Assistant Art Director |
| Art | Nancy Restuccia | Art Department Coordinator |
| Art | Scott Bauer | Property Master |
| Costume & Make-Up | Janet Ingram | Costume Supervisor |
| Costume & Make-Up | Annie Laoparadonchai | Set Costumer |
| Camera | George Billinger III | Steadicam Operator |
| Camera | Aiken Weiss | Steadicam Operator |
| Camera | Gary Hatfield | "A" Camera Operator |
| Camera | David Knudson | Key Grip |
| Camera | Darryl Wilson | Best Boy Grip |
| Camera | Dietmar Wendelin | Dolly Grip |
| Directing | Scott Peterson | Script Supervisor |
| Sound | Shawn Holden | Sound Mixer |
| Sound | John Hays | Boom Operator |
| Art | David Harris | Greensman |
| Production | Jeremy Alter | Location Manager |
| Crew | Lou Carlucci | Special Effects Coordinator |
| Crew | John C. Carlucci | Special Effects |
| Crew | James Ochoa | Special Effects |
| Crew | Barry McQueary | Special Effects |
| Camera | Lorey Sebastian | Still Photographer |
| Camera | Jim Sheldon | Still Photographer |
| Crew | A. Welch Lambeth | Transportation Coordinator |
| Crew | J.J. Geary | Craft Service |
| Directing | Paul Domick | Second Second Assistant Director |
| Production | Erin Rodman | Production Assistant |
| Production | Bob Weber | Production Accountant |
| Crew | Brad Arensman | Post Production Supervisor |
| Sound | Mike Le Mare | Supervising Sound Editor |
| Sound | John K. Adams | ADR Editor |
| Sound | Robert Fitzgerald | Sound Effects Editor |
| Sound | Jason Piatt | Foley Recordist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Eric Thompson | ADR Mixer |
| Sound | Chris Navarro | ADR Recordist |
| Sound | Jason Alexander | Music Supervisor |
| Sound | Joshua Winget | Music Editor |
| Editing | Dennis McNeill | Color Timer |
| Production | Mark Damon | Executive Producer |
| Writing | Greg Marcks | Writer |
| Production | Stewart Hall | Executive Producer |
| Production | Jeff Kwatinetz | Executive Producer |
| Production | Sammy Lee | Executive Producer |
| Production | Raju Patel | Executive Producer |
| Production | Tripp Vinson | Executive Producer |
| Production | Felicia Fasano | Casting |
| Production | Mary Vernieu | Casting |
| Art | Devorah Herbert | Production Design |
| Art | Macie Vener | Art Direction |
| Art | Martha Ring | Set Decoration |
| Production | David Scott Rubin | Executive Producer |
| Production | David Scott Rubin | Unit Production Manager |
| Crew | Joel Kramer | Stunt Coordinator |
| Crew | Scott Leva | Stunts |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Costume & Make-Up | Petrice Bankhead | Makeup Department Head |
| Costume & Make-Up | Dorothy J. Pearl | Key Makeup Artist |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
