George Malloy ziet op zijn verjaardag aan een bar een vreemd licht. De dagen die daarop volgen blijkt hij erg intelligent te zijn geworden. Hij gebruikt zijn intelligentie om goeie dingen in de buurt te doen. Wanneer dit doorgeroddeld wordt, raakt Malloy bekend als een freak en wil iedereen uitzoeken hoe dit kon gebeuren bij een simpele automonteur. Het gaat zelfs zo ver dat de regering hem wil gebruiken.
Nee, helaas is Phenomenon nog niet beschikbaar op Netflix in Nederland.
| Editing | Bruce Green | Editor |
| Production | Michael Taylor | Producer |
| Directing | Jon Turteltaub | Director |
| Camera | Phedon Papamichael | Director of Photography |
| Production | Barbara Boyle | Producer |
| Writing | Gerald Di Pego | Screenplay |
| Production | Jonathan D. Krane | Executive Producer |
| Production | Charles Newirth | Executive Producer |
| Crew | Jeff Cadiente | Stunt Coordinator |
| Art | Chris Cornwell | Assistant Art Director |
| Sound | Kathy Nelson | Music Supervisor |
| Directing | George Bamber | Second Assistant Director |
| Sound | Bill Bernstein | Music Editor |
| Visual Effects | Mageara Cameron | Visual Effects Coordinator |
| Production | Debra James | Production Coordinator |
| Crew | Martin A. Kline | Visual Effects Art Director |
| Crew | David Blitstein | Special Effects Coordinator |
| Crew | Jody Rogers | Visual Effects Editor |
| Camera | Robert Gray | Key Grip |
| Crew | Rod M. Janusch | Special Effects |
| Production | Liz Matthews | Location Manager |
| Visual Effects | Ken Ralston | Visual Effects Supervisor |
| Visual Effects | Aileen Timmers | Visual Effects Producer |
| Crew | Anita Hart | Stunts |
| Sound | Thomas Newman | Original Music Composer |
| Sound | Ron Judkins | Sound Mixer |
| Sound | Howell Gibbens | Sound Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Directing | Geoffrey Hansen | First Assistant Director |
| Editing | David Rennie | Associate Editor |
| Production | Michele Juskowitz | Casting Associate |
| Sound | Julia Evershade | Sound Editor |
| Costume & Make-Up | Hallie D'Amore | Key Makeup Artist |
| Art | Robin L. Miller | Property Master |
| Production | Renee Rousselot | Casting |
| Art | Garreth Stover | Production Design |
| Sound | Robert Jackson | Boom Operator |
| Sound | Jeena M. Phelps | Assistant Sound Editor |
| Art | Bruce Alan Miller | Art Direction |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Production | Allegra Clegg | Production Supervisor |
| Production | Charles Newirth | Unit Production Manager |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Lighting | Ian Kincaid | Gaffer |
| Art | Jay Hart | Set Decoration |
| Camera | Zade Rosenthal | Still Photographer |
| Costume & Make-Up | Betsy Cox | Costume Design |
| Directing | Alicia Accardo | Script Supervisor |
| Editing | Tzarina V. Edillon | Assistant Editor |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Sound | Mark Mangini | Supervising Sound Editor |
| Art | Gary Deaton | Construction Coordinator |
| Editing | Mark V. Phillips | Assistant Editor |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Costume & Make-Up | Kimberly Guenther Durkin | Costume Supervisor |
| Crew | Mark Riccardi | Stunts |
| Crew | David Cadiente | Stunts |
| Crew | Erik Stabenau | Stunts |
| Sound | Matt Adler | ADR & Dubbing |
| Camera | Wally Pfister | Camera Operator |
