In het jaar 1980 wordt de jonge Cecil door kinderen gepest. Als een verlegen, molliger jongetje is hij het ultieme doelwit en krijgt hij de bijnaam Bitch Ass. Tijdens een inwijding van de pesters wordt Cecil zelfs voor dood achtergelaten. Twee decennia later vindt een nieuwe initiatie plaats. Een perfecte gelegenheid voor Bitch Ass om wraak te nemen.
Nee, helaas is Bitch Ass nog niet beschikbaar op Netflix in Nederland.
| Production | Josh Folan | Production Supervisor |
| Production | Van White | Line Producer |
| Production | Chris Quintos Cathcart | Executive Producer |
| Art | Courtney Costello | Construction Coordinator |
| Art | Brandon Hammel | Property Master |
| Sound | Shareef Islam | Sound Engineer |
| Camera | Nathan Gallie | Grip |
| Production | Tunde Laleye | Executive Producer |
| Production | Erica Montolfo-Bura | Executive Producer |
| Editing | Rylan Rafferty | Editor |
| Camera | Kyle Kennard | Key Grip |
| Camera | Matt LaCorte | Key Grip |
| Sound | Joseph Mohan | Original Music Composer |
| Camera | Kevin Manalo Torres | Camera Operator |
| Production | Bente Engelstoft | Executive Producer |
| Costume & Make-Up | Jacque Piotrowski | Makeup Artist |
| Production | Gabe Braden | Key Production Assistant |
| Production | Honora Talbott | Executive Producer |
| Costume & Make-Up | Cynthia Davis | Costume Designer |
| Costume & Make-Up | Jacqueline Holden | Key Makeup Artist |
| Camera | Brian Torres | Grip |
| Production | Jonathan Colomb | Executive Producer |
| Production | Shane Brown | Producer |
| Directing | Van White | Second Unit Director |
| Directing | Gina Yull | First Assistant Director |
| Art | Bridget Avildsen | Art Department Coordinator |
| Production | Elise Greene | Assistant Production Coordinator |
| Production | Sherrie Henderson | Casting Director |
| Art | Kyle Eleveld | Art Direction |
| Editing | Ethan Maniquis | Additional Editor |
| Production | Erica Duke | Production Manager |
| Directing | Ben Wickham | Script Supervisor |
| Camera | Jason P. Childers | Second Assistant Camera |
| Production | Cindy Lu | Associate Producer |
| Costume & Make-Up | Kwame Head | Makeup Department Head |
| Production | Michelle Chang | Attorney |
| Production | Bill Posley | Executive Producer |
| Production | Wil Gelin | Executive Producer |
| Directing | Craig Posey | Second Assistant Director |
| Lighting | Samantha Boesch | Gaffer |
| Costume & Make-Up | Alyssa Cole | Costumer |
| Production | Alex Amsellem | Casting Director |
| Art | Jeremy Jonathan White | Production Design |
| Camera | Luke Jamison | First Assistant Camera |
| Crew | Steven Parker | Cinematography |
| Art | Danielle Merendino | Set Decoration |
| Production | Bradford Hunter Wray | Production Coordinator |
| Production | Alexander Shuryepov Witt | Production Assistant |
| Crew | Teresa Spencer | Dialect Coach |
| Writing | Bill Posley | Screenplay |
| Writing | Jonathan Colomb | Screenplay |
| Directing | Bill Posley | Director |
| Camera | Steven Parker | Director of Photography |
| Editing | Jeremy M. Inman | Additional Editor |
| Editing | Sara Newton | Assistant Editor |
| Editing | Nina Guzman | Consulting Editor |
| Editing | Paul Cole | Online Editor |
| Sound | W. Alex Reeves | Sound Designer |
| Sound | Nate Attias | Sound Mixer |
| Editing | Nick Everhart | Additional Editor |
| Art | Micah Hunt | Leadman |
| Editing | Derek Herr | Digital Intermediate Editor |
| Editing | Richard Garibaldi | Digital Intermediate Colorist |
| Editing | Michael Schatz | Colorist |
