Sussex, Engeland, 1938. Kort voor het uitbreken van de Tweede Wereldoorlog creëren Thomasina en Martha Hanbury, twee ingenieuze zussen, LOLA, een wonderbaarlijke machine.
Nee, helaas is LOLA nog niet beschikbaar op Netflix in Nederland.
| Directing | Andrew Legge | Director |
| Camera | Oona Menges | Director of Photography |
| Writing | Andrew Legge | Screenplay |
| Writing | Angeli Macfarlane | Screenplay |
| Writing | Andrew Legge | Screenstory |
| Writing | Jessica Ashworth | Screenstory |
| Writing | Henrietta Ashworth | Screenstory |
| Production | Alice Lusher | Co-Producer |
| Production | Catryn Ramasut | Co-Producer |
| Production | Phil Hunt | Executive Producer |
| Production | Compton Ross | Executive Producer |
| Production | Stephen Kelliher | Executive Producer |
| Production | Sophie Green | Executive Producer |
| Production | Dearbhla Regan | Executive Producer |
| Production | Bizzy Day | Executive Producer |
| Production | Andrew Legge | Executive Producer |
| Production | Danielle Ryan | Executive Producer |
| Sound | Neil Hannon | Original Music Composer |
| Sound | Neil Hannon | Songs |
| Costume & Make-Up | Lara Campbell | Costume Designer |
| Production | Jessie Frost | Casting Director |
| Sound | Simon H. Jones | Sound Mixer |
| Sound | Olly Astles-Jones | Sound Recordist |
| Costume & Make-Up | Edwina Kelly | Makeup Designer |
| Costume & Make-Up | Gary Carolan | Hair Designer |
| Production | Maria Mulhall | Production Manager |
| Directing | Mike Hayes | First Assistant Director |
| Production | David Legge | Co-Executive Producer |
| Production | Gus Legge | Co-Executive Producer |
| Production | Mary Legge | Co-Executive Producer |
| Production | Thomas Legge | Co-Executive Producer |
| Production | Tom Harberd | Associate Producer |
| Crew | Serena Brabazon | Creative Consultant |
| Production | Emma Gunnery | Casting Director |
| Crew | Helen O'Dea | Stunt Double |
| Crew | Michelle O'Loughlin | Stunt Double |
| Crew | Nora Brabazon | Stand In |
| Camera | Andrew Legge | Additional Photography |
| Camera | Stefanie Martini | Additional Photography |
| Camera | Eleanor Bowman | Additional Photography |
| Crew | Jane Shortall | Choreographer |
| Directing | Sarah Beth Moylan | Second Assistant Director |
| Directing | Amy Burke | Third Assistant Director |
| Production | Gina Casey | Production Coordinator |
| Art | Aoife Quinn | Graphic Designer |
| Art | Anaïs Mulgrew | Graphic Designer |
| Art | Helen Logan | Property Buyer |
| Camera | Conor Hammond | Focus Puller |
| Camera | Howard Woods | Grip |
| Camera | James Pierce | Still Photographer |
| Camera | Oscar Legge | Still Photographer |
| Lighting | Simon Magee | Gaffer |
| Art | Martin Carey | Property Master |
| Art | Mike Burke | Set Dresser |
| Crew | Brendan Condren | Stunt Coordinator |
| Directing | Louise Gaffney | Script Supervisor |
| Crew | Chacha Seigne | Creative Consultant |
| Sound | Alan Maher | Sound Recordist |
| Visual Effects | Brendan Byrne | Special Effects Supervisor |
| Visual Effects | Andy Clarke | Visual Effects Supervisor |
| Editing | Dara McKeagney | Assistant Editor |
| Crew | Therese Caldwell | Post Production Supervisor |
| Visual Effects | Christian Lett | Visual Effects Supervisor |
| Art | Kerry Ann Ridley | Graphic Designer |
| Visual Effects | Dave Osborne | Photo Retouching |
| Sound | Nicholas Allan | Sound Effects Editor |
| Sound | Simon H. Jones | Foley Artist |
| Sound | Simon H. Jones | Foley Mixer |
| Editing | Stuart Fyvie | Colorist |
| Art | Andrew Legge | Title Designer |
| Crew | Serena Brabazon | Thanks |
| Editing | Colin Campbell | Editor |
| Art | Vanessa Zanardo | Art Direction |
| Art | Ferdia Murphy | Production Design |
| Production | Alan Maher | Producer |
| Production | John Wallace | Producer |
