Sussex, Engeland, 1938. Kort voor het uitbreken van de Tweede Wereldoorlog creëren Thomasina en Martha Hanbury, twee ingenieuze zussen, LOLA, een wonderbaarlijke machine.
Nee, helaas is LOLA nog niet beschikbaar op Netflix in Nederland.
| Directing | Andrew Legge | Director |
| Writing | Andrew Legge | Screenplay |
| Writing | Angeli Macfarlane | Screenplay |
| Camera | Oona Menges | Director of Photography |
| Writing | Jessica Ashworth | Screenstory |
| Production | Stephen Kelliher | Executive Producer |
| Writing | Henrietta Ashworth | Screenstory |
| Production | Bizzy Day | Executive Producer |
| Production | Compton Ross | Executive Producer |
| Crew | Helen O'Dea | Stunt Double |
| Art | Anaïs Mulgrew | Graphic Designer |
| Costume & Make-Up | Edwina Kelly | Makeup Designer |
| Production | Maria Mulhall | Production Manager |
| Production | Mary Legge | Co-Executive Producer |
| Production | Tom Harberd | Associate Producer |
| Production | Sophie Green | Executive Producer |
| Production | Alice Lusher | Co-Producer |
| Production | Catryn Ramasut | Co-Producer |
| Production | Danielle Ryan | Executive Producer |
| Costume & Make-Up | Lara Campbell | Costume Designer |
| Sound | Simon H. Jones | Sound Mixer |
| Writing | Andrew Legge | Screenstory |
| Sound | Neil Hannon | Original Music Composer |
| Production | Thomas Legge | Co-Executive Producer |
| Directing | Sarah Beth Moylan | Second Assistant Director |
| Production | David Legge | Co-Executive Producer |
| Production | Gina Casey | Production Coordinator |
| Production | Dearbhla Regan | Executive Producer |
| Production | Andrew Legge | Executive Producer |
| Production | Emma Gunnery | Casting Director |
| Production | Jessie Frost | Casting Director |
| Crew | Serena Brabazon | Creative Consultant |
| Camera | Eleanor Bowman | Additional Photography |
| Production | Phil Hunt | Executive Producer |
| Production | Gus Legge | Co-Executive Producer |
| Camera | Stefanie Martini | Additional Photography |
| Sound | Neil Hannon | Songs |
| Sound | Olly Astles-Jones | Sound Recordist |
| Directing | Mike Hayes | First Assistant Director |
| Costume & Make-Up | Gary Carolan | Hair Designer |
| Camera | Howard Woods | Grip |
| Crew | Brendan Condren | Stunt Coordinator |
| Sound | Alan Maher | Sound Recordist |
| Directing | Amy Burke | Third Assistant Director |
| Visual Effects | Brendan Byrne | Special Effects Supervisor |
| Camera | Conor Hammond | Focus Puller |
| Camera | James Pierce | Still Photographer |
| Lighting | Simon Magee | Gaffer |
| Art | Mike Burke | Set Dresser |
| Crew | Chacha Seigne | Creative Consultant |
| Art | Martin Carey | Property Master |
| Directing | Louise Gaffney | Script Supervisor |
| Visual Effects | Andy Clarke | Visual Effects Supervisor |
| Editing | Dara McKeagney | Assistant Editor |
| Art | Kerry Ann Ridley | Graphic Designer |
| Crew | Michelle O'Loughlin | Stunt Double |
| Crew | Nora Brabazon | Stand In |
| Camera | Andrew Legge | Additional Photography |
| Crew | Jane Shortall | Choreographer |
| Art | Aoife Quinn | Graphic Designer |
| Visual Effects | Christian Lett | Visual Effects Supervisor |
| Crew | Therese Caldwell | Post Production Supervisor |
| Camera | Oscar Legge | Still Photographer |
| Art | Helen Logan | Property Buyer |
| Sound | Nicholas Allan | Sound Effects Editor |
| Visual Effects | Dave Osborne | Photo Retouching |
| Crew | Serena Brabazon | Thanks |
| Sound | Simon H. Jones | Foley Artist |
| Editing | Stuart Fyvie | Colorist |
| Sound | Simon H. Jones | Foley Mixer |
| Art | Andrew Legge | Title Designer |
| Editing | Colin Campbell | Editor |
| Art | Ferdia Murphy | Production Design |
| Art | Vanessa Zanardo | Art Direction |
| Production | John Wallace | Producer |
| Production | Alan Maher | Producer |
