De rijke Charles Moore vergezelt zijn mooie vrouw Mickey bij een photoshoot in Alaska. De shoot wordt gemaakt door Robert Green. Om specifieke indianen te vinden voor de shoot vliegen Green, Moore en nog een fotograaf naar goede locaties toe. Onderweg worden ze door vogels bestormd en storten ze neer in een meer. Om te overleven in de bossen waar een moordlustige beer rondhangt, moeten ze op elkaar kunnen vertrouwen. Moore is de enige met de kennis die hen zou kunnen redden. Moore vermoedt dat Green een affaire heeft met zijn vrouw. Dit zorgt voor complicaties tijdens hun overlevingstocht, waarbij ze constant een gevaarlijke beer tegenkomen.
Nee, helaas is The Edge nog niet beschikbaar op Netflix in Nederland.
| Writing | David Mamet | Screenplay |
| Production | Art Linson | Producer |
| Production | Lloyd Phillips | Producer |
| Camera | Donald McAlpine | Director of Photography |
| Sound | Jerry Goldsmith | Original Music Composer |
| Directing | Lee Tamahori | Director |
| Editing | Neil Travis | Editor |
| Art | Janice Blackie-Goodine | Set Decoration |
| Costume & Make-Up | Iloe Flewelling | Key Hair Stylist |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Sound | Steve Bissinger | Sound Editor |
| Crew | Mike Vézina | Special Effects Coordinator |
| Camera | Wayne Goodchild | Key Grip |
| Camera | Kurt E. Soderling | Aerial Camera |
| Directing | Philip A. Patterson | First Assistant Director |
| Sound | Harry B. Miller III | ADR Supervisor |
| Camera | John Clothier | Camera Operator |
| Sound | J.D. Ward | Sound Recordist |
| Sound | Alexander Courage | Orchestrator |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Art | Gary Clayton Ripley | Painter |
| Sound | Ted Caplan | Sound Editor |
| Camera | Pauline Heaton | Underwater Camera |
| Directing | Christine Wilson | Script Supervisor |
| Production | Donna Isaacson | Casting |
| Sound | Paul Urmson | Sound Editor |
| Camera | Patrick McArdle | First Assistant Camera |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Sound | Kenneth Hall | Music Editor |
| Art | Wolf Kroeger | Production Design |
| Sound | Dave Kulczycki | Sound Editor |
| Sound | Donald Sylvester | Foley |
| Camera | Tim Milligan | Dolly Grip |
| Art | Alfred A. Arndt | Construction Foreman |
| Art | Pierre Bartlette | Construction Foreman |
| Sound | Michael Playfair | Boom Operator |
| Production | Rino Pace | Location Manager |
| Crew | John Dambrauskas | Carpenter |
| Art | Melodi Petrigo | Art Department Coordinator |
| Lighting | Rick Youck | Best Boy Electric |
| Sound | David A. Arnold | Sound Editor |
| Camera | Joseph Lederer | Still Photographer |
| Camera | Richard G. Mason | Underwater Camera |
| Costume & Make-Up | Gail Johns | Seamstress |
| Editing | Michael J. Wechsler | Assistant Editor |
| Production | Yvonne Melville | Production Coordinator |
| Crew | Smith Wordes | Choreographer |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Art | Robert LaPrell | Construction Coordinator |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Crew | Betty Thomas Quee | Stunt Coordinator |
| Lighting | Burton 'Joe' Kuchera | Rigging Gaffer |
| Costume & Make-Up | Gail Kennedy | Makeup Artist |
| Editing | Nicolas De Toth | First Assistant Editor |
| Art | Robert Dawson | Title Designer |
| Production | Alice Ferrier | Production Coordinator |
| Directing | Kevin Leslie | Third Assistant Director |
| Art | Richard Harrison | Art Direction |
