De rijke Charles Moore vergezelt zijn mooie vrouw Mickey bij een photoshoot in Alaska. De shoot wordt gemaakt door Robert Green. Om specifieke indianen te vinden voor de shoot vliegen Green, Moore en nog een fotograaf naar goede locaties toe. Onderweg worden ze door vogels bestormd en storten ze neer in een meer. Om te overleven in de bossen waar een moordlustige beer rondhangt, moeten ze op elkaar kunnen vertrouwen. Moore is de enige met de kennis die hen zou kunnen redden. Moore vermoedt dat Green een affaire heeft met zijn vrouw. Dit zorgt voor complicaties tijdens hun overlevingstocht, waarbij ze constant een gevaarlijke beer tegenkomen.
Nee, helaas is The Edge nog niet beschikbaar op Netflix in Nederland.
| Directing | Lee Tamahori | Director |
| Writing | David Mamet | Screenplay |
| Production | Art Linson | Producer |
| Production | Lloyd Phillips | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Camera | Donald McAlpine | Director of Photography |
| Editing | Neil Travis | Editor |
| Production | Donna Isaacson | Casting |
| Art | Wolf Kroeger | Production Design |
| Art | Janice Blackie-Goodine | Set Decoration |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Costume & Make-Up | Iloe Flewelling | Key Hair Stylist |
| Costume & Make-Up | Gail Kennedy | Makeup Artist |
| Directing | Philip A. Patterson | First Assistant Director |
| Art | Alfred A. Arndt | Construction Foreman |
| Art | Pierre Bartlette | Construction Foreman |
| Crew | John Dambrauskas | Carpenter |
| Art | Robert LaPrell | Construction Coordinator |
| Art | Melodi Petrigo | Art Department Coordinator |
| Art | Gary Clayton Ripley | Painter |
| Sound | David A. Arnold | Sound Editor |
| Sound | Steve Bissinger | Sound Editor |
| Sound | Ted Caplan | Sound Editor |
| Sound | Dave Kulczycki | Sound Editor |
| Sound | Harry B. Miller III | ADR Supervisor |
| Sound | Michael Playfair | Boom Operator |
| Sound | Donald Sylvester | Foley |
| Sound | Paul Urmson | Sound Editor |
| Sound | J.D. Ward | Sound Recordist |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Crew | Mike Vézina | Special Effects Coordinator |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Crew | Betty Thomas Quee | Stunt Coordinator |
| Camera | John Clothier | Camera Operator |
| Camera | Wayne Goodchild | Key Grip |
| Camera | Pauline Heaton | Underwater Camera |
| Lighting | Burton 'Joe' Kuchera | Rigging Gaffer |
| Camera | Joseph Lederer | Still Photographer |
| Camera | Richard G. Mason | Underwater Camera |
| Camera | Patrick McArdle | First Assistant Camera |
| Camera | Tim Milligan | Dolly Grip |
| Camera | Kurt E. Soderling | Aerial Camera |
| Lighting | Rick Youck | Best Boy Electric |
| Costume & Make-Up | Gail Johns | Seamstress |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Editing | Nicolas De Toth | First Assistant Editor |
| Editing | Michael J. Wechsler | Assistant Editor |
| Production | Rino Pace | Location Manager |
| Sound | Alexander Courage | Orchestrator |
| Sound | Kenneth Hall | Music Editor |
| Art | Robert Dawson | Title Designer |
| Production | Alice Ferrier | Production Coordinator |
| Production | Yvonne Melville | Production Coordinator |
| Directing | Christine Wilson | Script Supervisor |
| Crew | Smith Wordes | Choreographer |
| Directing | Kevin Leslie | Third Assistant Director |
| Art | Richard Harrison | Art Direction |
