De Amerikaanse ex-soldaat John Creasy leeft in Mexico. Een oude vriend vraagt hem als bodyguard te fungeren voor de jonge Pita Balletto, om haar zo te beschermen voor de vele ontvoeringen in de Mexicaanse hoofdstad.
Nee, helaas is Man on Fire nog niet beschikbaar op Netflix in Nederland.
| Directing | Tony Scott | Director |
| Production | Lucas Foster | Producer |
| Writing | Brian Helgeland | Screenplay |
| Production | James W. Skotchdopole | Executive Producer |
| Production | Tony Scott | Producer |
| Writing | A. J. Quinnell | Novel |
| Editing | Christian Wagner | Editor |
| Camera | Paul Cameron | Director of Photography |
| Production | Lance Hool | Executive Producer |
| Sound | Harry Gregson-Williams | Original Music Composer |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Production | Bonnie Timmermann | Casting |
| Editing | Skip Chaisson | Editorial Consultant |
| Costume & Make-Up | Lupita Peckinpah | Wardrobe Assistant |
| Art | Elli Griff | Set Decoration |
| Lighting | Phil Walker | Gaffer |
| Crew | Michael Papac | Armorer |
| Crew | Christopher S. Baird | Visual Effects Editor |
| Visual Effects | Marc Varisco | Visual Effects Supervisor |
| Editing | Ron South | First Assistant Editor |
| Art | Benjamín Fernández | Production Design |
| Camera | Guillermo Rosas | Camera Operator |
| Camera | Maryan Zurek | Underwater Camera |
| Sound | Dan O'Connell | Foley |
| Costume & Make-Up | Graham Johnston | Hairstylist |
| Art | Chris Seagers | Production Design |
| Art | Alejandro Fernández | Assistant Art Director |
| Camera | Luis David Sansans | Additional Camera |
| Art | Ricardo M. Kaplan | Art Department Coordinator |
| Camera | Stephen St. John | Steadicam Operator |
| Visual Effects | Nathan McGuinness | Visual Effects Supervisor |
| Camera | Keith Hamshere | Still Photographer |
| Directing | Julie Pitkanen | Script Supervisor |
| Crew | Jesus G. Duran | Special Effects Coordinator |
| Camera | Stephen Vaughan | Still Photographer |
| Sound | Odin Benitez | Sound Effects Editor |
| Sound | Gary Wright | Sound Effects Editor |
| Camera | Jacques Jouffret | Steadicam Operator |
| Camera | César Charlone | Camera Operator |
| Sound | Randle Akerson | Sound Effects Editor |
| Art | Héctor Romero | Art Direction |
| Lighting | Jesus 'Moroco' Gonzalez | Rigging Gaffer |
| Camera | Wayne Baker | Underwater Camera |
| Sound | George Watters II | Supervising Sound Editor |
| Sound | F. Hudson Miller | Supervising Sound Editor |
| Editing | Leigh Folsom Boyd | First Assistant Editor |
| Art | Carlos Benassini | Assistant Art Director |
| Art | Ben Zeller | Construction Coordinator |
| Costume & Make-Up | Larry M. Cherry | Hairstylist |
| Art | Mark Swain | Assistant Art Director |
| Camera | Jürgen Vollmer | Still Photographer |
| Sound | Suhail Kafity | Sound Effects Editor |
| Directing | Karin Anderson | Script Coordinator |
| Crew | David Fencl | Armorer |
| Sound | R.J. Palmer | Sound Effects Editor |
| Costume & Make-Up | Carl Fullerton | Makeup Artist |
| Art | Rafael Jaime Mendéz | Greensman |
| Production | Conrad Hool | Co-Producer |
| Crew | León Sandoval | Cableman |
| Crew | Fidel Abrego | Stunts |
| Visual Effects | Stephanie Ormonde | 24 Frame Playback |
| Crew | Jan Cerwonka | Studio Teachers |
| Editing | Valance Eisleben | Editorial Services |
| Sound | Robb Boyd | Music Editor |
| Visual Effects | Brian Cuscino | I/O Supervisor |
| Crew | Antonio Lopez Martinez | Carpenter |
| Crew | Lonnie A. Mathes | Post Production Assistant |
| Crew | Ricardo Díaz Avilés | Transportation Captain |
| Production | Jessica Fawcett Garcia | Production Coordinator |
| Sound | Gary A. Theard | Boom Operator |
| Crew | Paul Borne | Stunt Coordinator |
| Crew | Miguel Avilez Betancourt | Video Assist Operator |
| Production | Peter Toumasis | Associate Producer |
| Production | Stephen Vincent | Casting Associate |
| Crew | Justin Caine Burnett | Additional Music |
| Production | Conrad Hool | Unit Production Manager |
| Crew | Patrick Esposito | Post-Production Manager |
| Crew | Michael Tinger | Post Production Supervisor |
| Production | Janice Polley | Location Manager |
| Production | Marcela Fuentes-Berain | Researcher |
| Art | Panfilo Herrera Sanchez | Painter |
| Costume & Make-Up | Marco A. Garcia | Wigmaker |
| Crew | Sergio Galicia | Driver |
| Art | Tatiana Maganda | Leadman |
| Art | René Marquéz | Standby Painter |
| Crew | Luis Fuentes Pimentel | Projection |
| Crew | Ernesto Trejo | Set Medic |
| Crew | Luis Reyes | Unit Publicist |
| Production | Anna Roth | Production Manager |
| Crew | Alejandro Soto | Picture Car Coordinator |
| Lighting | Corwin A. Bibb | Best Boy Electric |
| Production | Armando Amador | Production Accountant |
| Lighting | Jose Luis Anzaga | Electrician |
| Production | Yuria Goded | Production Office Coordinator |
| Production | Carlos Taibo | Unit Manager |
| Crew | Arturo Curiel | Transportation Coordinator |
| Production | Arnon Milchan | Producer |
| Art | Vida Corona | Art Department Assistant |
| Crew | Jose Manuel Ballesteros | Craft Service |
| Crew | Guillermo 'Memo' Carreño | Set Production Assistant |
| Lighting | Alfredo Audel | Rigging Grip |
| Crew | Beau Borders | Special Sound Effects |
| Camera | Donald Burghardt | First Assistant Camera |
| Editing | Jim Passon | Color Timer |
| Production | Don Ferrarone | Associate Producer |
| Sound | Willie D. Burton | Production Sound Mixer |
| Art | Stuart Raven Barter | Location Scout |
| Sound | David Lai | Music Supervisor |
| Sound | Kirk Bennett | Orchestrator |
| Sound | Fred Burke | Foley Editor |
| Directing | John Wildermuth | First Assistant Director |
| Camera | Ricardo Covarrubias | Dolly Grip |
| Camera | Gustavo Covarrubias | Key Grip |
| Crew | Rocío Ortega | Animal Wrangler |
| Crew | Alan D. Purwin | Pilot |
| Editing | Gary Burritt | Negative Cutter |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Melissa Lytle | Assistant Sound Editor |
| Costume & Make-Up | Joyce Kogut | Wardrobe Supervisor |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Sound | Stephen Barton | Music Programmer |
| Sound | Teri E. Dorman | Supervising Dialogue Editor |
| Production | Jose Cabrera | Casting Assistant |
| Sound | Harry Gregson-Williams | Conductor |
| Costume & Make-Up | Graham Johnston | Makeup Supervisor |
| Crew | Sean Byrne | Aerial Coordinator |
| Camera | Salvador De Gante | Grip |
| Production | Manuel Teil | Local Casting |
| Sound | Peter DiStefano | Musician |
| Costume & Make-Up | Pedro Raúl Flores | Tailor |
| Sound | Richard Whitfield | Supervising Music Editor |
| Directing | Frank Kostenko Jr. | Second Assistant Director |
| Sound | Denise Horta | ADR Editor |
| Costume & Make-Up | Jonny Pray | Key Costumer |
| Camera | Ian Clampett | Camera Loader |
| Art | Nick Milner | Assistant Property Master |
| Art | Denise Camargo | Set Dresser |
| Camera | David B. Nowell | Aerial Director of Photography |
| Crew | Balo Bucio | Stunt Coordinator |
| Crew | Gerardo Moreno | Stunt Coordinator |
| Crew | Bob Brown | Stunt Coordinator |
| Crew | Gerardo Albarrán | Stunt Coordinator |
| Crew | Manuel Poncelis | Stunts |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Alan D. Purwin | Stunts |
| Crew | Dana Kristen Vahle | Stunts |
| Camera | Paul A. Edwards | Camera Operator |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Ulrika Akander | Dialogue Editor |
| Art | Graeme Purdy | Property Master |
| Sound | Nicholas Korda | ADR Editor |
| Art | Gilberto Cortes | Property Master |
| Sound | David V. Butler | Dialogue Editor |
| Costume & Make-Up | Christine Orth | Costumer |
| Art | Guillermo Serrano | Graphic Designer |
| Sound | Rick Canelli | ADR Recordist |
| Production | Carla Hool | Additional Casting |
| Sound | Meri Gavin | Music Arranger |
| Production | Jorge Guerrero | Extras Casting |
| Crew | Antonio Cornejo | Special Effects Assistant |
| Sound | John T. Cucci | Foley Artist |
| Sound | James Ashwill | Foley Mixer |
| Production | Kelly Kiernan | Production Executive |
| Art | Jorge Barba | Set Dressing Buyer |
| Visual Effects | Steven Fagerquist | Compositing Artist |
| Art | Daniel Gallardo | Swing |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Camera | Edgar Hurtado | Assistant Camera |
| Camera | Thomas A. Barrios | Second Assistant Camera |
| Editing | Mark T. Osborne | Additional Colorist |
| Editing | Christopher Reichel | Digital Conform Editor |
| Production | Analeine Cal y Mayor | Location Assistant |
| Sound | Trent Reznor | Music Consultant |
| Crew | Don Ferrarone | Technical Advisor |
| Editing | Ryan Pannell | Colorist |
| Crew | Joy Ellison | Dialogue Coach |
| Editing | Erik Rogers | Digital Intermediate Producer |
| Camera | Craig Vaccaro | Best Boy Grip |
| Costume & Make-Up | Rocio Ceja | Wardrobe Assistant |
| Production | Claudia Montero | Location Coordinator |
| Production | Sonia Guerrero | Extras Casting Assistant |
| Editing | Daniel Lee | Assistant Editor |
| Sound | Stephen Barton | Conductor |
| Crew | Luis Aguilar | Security Coordinator |
| Editing | Joe Hathaway | Digital Color Timer |
| Lighting | Pedro González | Key Rigging Grip |
| Production | Marcela Arevalo | Production Assistant |
| Production | Fernando Urdapilleta | Production Runner |
| Production | Mauricio Lule | Key Set Production Assistant |
