Peyton Westlake is een wetenschapper die een manier ontdekt om synthetische huid te produceren. Dit blijkt een revolutionaire uitvinding te zijn, maar het probleem is dat je de huid maar 100 minuten kan gebruiken en deze niet bloot gesteld mag worden aan licht. Als gangsters Peyton aanvallen, raakt zijn huid vreselijk verbrand. Peyton is uit op wraak en gaat voortaan door het leven als Darkman.
Nee, helaas is Darkman nog niet beschikbaar op Netflix in Nederland.
| Writing | Chuck Pfarrer | Screenplay |
| Writing | Sam Raimi | Story |
| Art | Julie Kaye Fanton | Set Decoration |
| Writing | Ivan Raimi | Screenplay |
| Editing | Bud S. Smith | Editor |
| Sound | Danny Elfman | Original Music Composer |
| Art | Phil Dagort | Art Direction |
| Writing | Sam Raimi | Screenplay |
| Writing | Joshua Goldin | Screenplay |
| Production | Robert Tapert | Producer |
| Editing | David Stiven | Editor |
| Camera | Bill Pope | Director of Photography |
| Costume & Make-Up | Grania Preston | Costume Design |
| Writing | Daniel Goldin | Screenplay |
| Art | Randy Ser | Production Design |
| Directing | Sam Raimi | Director |
| Visual Effects | Steve Dunham | Mechanical Designer |
| Camera | Kevin 'Rambo' Fitzgerald | Grip |
| Visual Effects | Steve Frakes | Mechanical Designer |
| Sound | Andrea Horta | ADR Editor |
| Costume & Make-Up | Susan Exton-Stranks | Hair Department Head |
| Camera | Tim Durr | Grip |
| Visual Effects | Evan Brainard | Mechanical Designer |
| Editing | Darrin Navarro | Assistant Editor |
| Art | Michele Poulik | Assistant Set Decoration |
| Camera | Kurt Grossi | Grip |
| Sound | Mark P. Stoeckinger | ADR Editor |
| Sound | Jeff Courtie | ADR Mixer |
| Art | Scott Meehan | Construction Coordinator |
| Visual Effects | Caleb Chung | Mechanical Designer |
| Sound | Bill Voigtlander | ADR Supervisor |
| Sound | Mark A. Lanza | Sound Editor |
| Sound | Scott Martin Gershin | Sound Editor |
| Crew | Thomas D. Krausz | Propmaker |
| Crew | Werner Hahnlein | Special Effects Technician |
| Visual Effects | John P. Mesa | Visual Effects Camera |
| Visual Effects | Ric Scott | VFX Artist |
| Costume & Make-Up | Deborah K. Larsen | Key Makeup Artist |
| Art | Pete von Sholly | Storyboard Artist |
| Lighting | Brad Wood | Rigging Grip |
| Visual Effects | Roger McCoin | Mechanical Designer |
| Sound | Christina Tucker | ADR Mixer |
| Lighting | Tony Jefferson | Rigging Grip |
| Camera | László Regos | Steadicam Operator |
| Art | David McKlveen | Construction Foreman |
| Art | Christopher Gilman | Props |
| Art | Janet Kusnick | Storyboard Artist |
| Art | Ric Scott | Storyboard Artist |
| Visual Effects | Doug Beswick | Mechanical Designer |
| Visual Effects | Marcus Tate | Visual Effects Camera |
| Art | John Harrington | Assistant Property Master |
| Visual Effects | Randy Simper | Mechanical Designer |
| Crew | Allan Johnson | Carpenter |
| Costume & Make-Up | Larry Hamlin | Special Effects Makeup Artist |
| Crew | Ric Scott | Special Effects Technician |
| Visual Effects | Tom Boucher | Visual Effects |
| Art | John Smart | Set Dresser |
| Camera | Kim Heath | Grip |
| Editing | M. Scott Smith | Supervising Editor |
| Lighting | Wayne Kosky | Rigging Grip |
| Lighting | Gary Drew | Rigging Grip |
| Costume & Make-Up | Tony Gardner | Special Effects Makeup Artist |
| Art | Edmond Scott Ratliff | Set Dresser |
| Lighting | Scott Sproule | Rigging Grip |
| Sound | Jill Smith | Assistant Sound Editor |
| Sound | David A. Arnold | Sound Editor |
| Editing | Bud S. Smith | Supervising Editor |
| Production | Tom Prince | Production Executive |
| Sound | Michael D. Wilhoit | Sound Supervisor |
| Editing | Kathie Weaver | Additional Editor |
| Sound | Kevin Hearst | Sound Editor |
| Visual Effects | Michael Lawler | Visual Effects Camera |
| Sound | Joseph A. Mayer | ADR Editor |
| Sound | Dino DiMuro | Sound Editor |
| Production | April A. Janow | First Assistant Accountant |
| Visual Effects | Kendall Nishimine | Visual Effects |
| Sound | Alan Holly | Foley Mixer |
| Sound | Pat Carol | Foley |
| Production | Debbie DeRango | Casting Assistant |
| Sound | John Murray | Foley Supervisor |
| Sound | Neal Burger | Sound Editor |
| Sound | Patrick O'Sullivan | Sound Editor |
| Sound | Steve Mann | Sound Editor |
| Sound | Don Summer | Sound Mixer |
| Sound | Robert Batha | Assistant Sound Editor |
| Editing | Jody Fedele | Assistant Editor |
| Editing | Bob Murawski | Assistant Editor |
| Crew | Chuck Borden | Stunts |
| Crew | Allan Graf | Stunts |
| Art | Ron Ervin | Construction Foreman |
| Production | Issy Shabtay | Production Manager |
| Production | Patricia Whitcher | Production Manager |
| Art | Michael Paul Clausen | Assistant Art Director |
| Art | Thomas Fichter | Assistant Art Director |
| Art | Gary Frutkoff | Assistant Art Director |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Costume & Make-Up | Lynda Foote | Set Costumer |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Crew | Stacy Ivers | Unit Publicist |
| Sound | Jeffrey Wilhoit | Foley |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Art | Ginni Barr | Set Designer |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Lighting | Dante Cardone | Gaffer |
| Costume & Make-Up | Lisa Burnett | Set Costumer |
| Sound | Dino DiMuro | Sound Effects Editor |
| Sound | Matthew Iadarola | Sound Re-Recording Mixer |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Directing | Corinne Saaranen-Welch | Script Supervisor |
| Crew | Tim Donahue | Visual Effects Art Director |
| Camera | Frank M. Holgate | Helicopter Camera |
| Camera | Melinda Sue Gordon | Still Photographer |
| Crew | Roger Nall | Scenic Artist |
| Sound | Bob Badami | Music Editor |
| Costume & Make-Up | Larry Hamlin | Makeup Artist |
| Visual Effects | Jammie Friday | Animation |
| Sound | Mark A. Lanza | Sound Effects Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Lighting | Max Pomerleau | Gaffer |
| Production | Paul Hellerman | Production Manager |
| Crew | Christopher Doyle | Stunt Coordinator |
| Art | George Denes Suhayda | Set Designer |
| Sound | James Moriana | Foley |
| Sound | Terry Rodman | Supervising Sound Editor |
| Visual Effects | Julia Gibson | Visual Effects Producer |
| Production | Gerrit V. Folsom | Location Manager |
| Production | Nancy Nayor | Casting |
| Crew | Lane Leavitt | Stunts |
| Crew | Tim Trella | Stunts |
| Crew | Sherry Peterson | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | John Casino | Stunts |
| Crew | Gene LeBell | Stunts |
| Crew | Barbara Anne Klein | Utility Stunts |
| Directing | Scott Javine | First Assistant Director |
| Art | Barbara A. Bordo | Painter |
| Camera | Gary D. Scott | First Assistant Camera |
| Editing | Richard Alderete | First Assistant Editor |
| Crew | Tony Didio Jr. | Armorer |
| Art | Pablo Ferro | Title Designer |
| Crew | Harry Hauss | Pilot |
| Production | Daryl Kass | Line Producer |
| Production | Kristin Smith | Production Coordinator |
| Sound | Steve Bartek | Orchestrator |
| Art | Kirk Corwin | Property Master |
| Crew | Manny Perry | Stunts |
| Crew | Gregory J. Barnett | Stunts |
| Directing | Francis R. Mahony III | Second Assistant Director |
| Editing | Bob Murawski | Editor |
