Peyton Westlake is een wetenschapper die een manier ontdekt om synthetische huid te produceren. Dit blijkt een revolutionaire uitvinding te zijn, maar het probleem is dat je de huid maar 100 minuten kan gebruiken en deze niet bloot gesteld mag worden aan licht. Als gangsters Peyton aanvallen, raakt zijn huid vreselijk verbrand. Peyton is uit op wraak en gaat voortaan door het leven als Darkman.
Nee, helaas is Darkman nog niet beschikbaar op Netflix in Nederland.
| Art | Phil Dagort | Art Direction |
| Costume & Make-Up | Grania Preston | Costume Design |
| Art | Julie Kaye Fanton | Set Decoration |
| Writing | Joshua Goldin | Screenplay |
| Production | Robert Tapert | Producer |
| Editing | David Stiven | Editor |
| Writing | Sam Raimi | Story |
| Editing | Bud S. Smith | Editor |
| Writing | Ivan Raimi | Screenplay |
| Camera | Bill Pope | Director of Photography |
| Writing | Sam Raimi | Screenplay |
| Sound | Danny Elfman | Original Music Composer |
| Writing | Daniel Goldin | Screenplay |
| Writing | Chuck Pfarrer | Screenplay |
| Art | Randy Ser | Production Design |
| Directing | Sam Raimi | Director |
| Lighting | Brad Wood | Rigging Grip |
| Crew | Thomas D. Krausz | Propmaker |
| Camera | Kim Heath | Grip |
| Lighting | Wayne Kosky | Rigging Grip |
| Lighting | Gary Drew | Rigging Grip |
| Art | John Smart | Set Dresser |
| Art | Janet Kusnick | Storyboard Artist |
| Art | Ric Scott | Storyboard Artist |
| Costume & Make-Up | Deborah K. Larsen | Key Makeup Artist |
| Crew | Allan Johnson | Carpenter |
| Art | David McKlveen | Construction Foreman |
| Art | Christopher Gilman | Props |
| Costume & Make-Up | Susan Exton-Stranks | Hair Department Head |
| Camera | Tim Durr | Grip |
| Camera | Kevin 'Rambo' Fitzgerald | Grip |
| Art | Michele Poulik | Assistant Set Decoration |
| Art | Scott Meehan | Construction Coordinator |
| Art | Pete von Sholly | Storyboard Artist |
| Lighting | Scott Sproule | Rigging Grip |
| Camera | László Regos | Steadicam Operator |
| Art | John Harrington | Assistant Property Master |
| Art | Edmond Scott Ratliff | Set Dresser |
| Camera | Kurt Grossi | Grip |
| Lighting | Tony Jefferson | Rigging Grip |
| Sound | Bill Voigtlander | ADR Supervisor |
| Production | Tom Prince | Production Executive |
| Visual Effects | Evan Brainard | Mechanical Designer |
| Sound | David A. Arnold | Sound Editor |
| Visual Effects | Roger McCoin | Mechanical Designer |
| Costume & Make-Up | Larry Hamlin | Special Effects Makeup Artist |
| Sound | Christina Tucker | ADR Mixer |
| Sound | Kevin Hearst | Sound Editor |
| Visual Effects | Doug Beswick | Mechanical Designer |
| Visual Effects | Steve Frakes | Mechanical Designer |
| Visual Effects | Marcus Tate | Visual Effects Camera |
| Sound | Mark A. Lanza | Sound Editor |
| Editing | Darrin Navarro | Assistant Editor |
| Sound | Robert Batha | Assistant Sound Editor |
| Sound | Patrick O'Sullivan | Sound Editor |
| Visual Effects | Caleb Chung | Mechanical Designer |
| Costume & Make-Up | Tony Gardner | Special Effects Makeup Artist |
| Sound | Don Summer | Sound Mixer |
| Editing | Bob Murawski | Assistant Editor |
| Editing | M. Scott Smith | Supervising Editor |
| Sound | Alan Holly | Foley Mixer |
| Crew | Ric Scott | Special Effects Technician |
| Visual Effects | Tom Boucher | Visual Effects |
| Visual Effects | Kendall Nishimine | Visual Effects |
| Sound | John Murray | Foley Supervisor |
| Sound | Pat Carol | Foley |
| Sound | Neal Burger | Sound Editor |
| Production | Debbie DeRango | Casting Assistant |
| Editing | Kathie Weaver | Additional Editor |
| Sound | Mark P. Stoeckinger | ADR Editor |
| Sound | Jeff Courtie | ADR Mixer |
| Editing | Bud S. Smith | Supervising Editor |
| Visual Effects | Randy Simper | Mechanical Designer |
| Visual Effects | Steve Dunham | Mechanical Designer |
| Crew | Werner Hahnlein | Special Effects Technician |
| Visual Effects | Ric Scott | VFX Artist |
| Sound | Dino DiMuro | Sound Editor |
| Visual Effects | John P. Mesa | Visual Effects Camera |
| Sound | Jill Smith | Assistant Sound Editor |
| Sound | Michael D. Wilhoit | Sound Supervisor |
| Visual Effects | Michael Lawler | Visual Effects Camera |
| Sound | Andrea Horta | ADR Editor |
| Sound | Joseph A. Mayer | ADR Editor |
| Sound | Steve Mann | Sound Editor |
| Sound | Scott Martin Gershin | Sound Editor |
| Editing | Jody Fedele | Assistant Editor |
| Production | April A. Janow | First Assistant Accountant |
| Crew | Chuck Borden | Stunts |
| Crew | Allan Graf | Stunts |
| Production | Issy Shabtay | Production Manager |
| Production | Paul Hellerman | Production Manager |
| Art | Thomas Fichter | Assistant Art Director |
| Production | Patricia Whitcher | Production Manager |
| Costume & Make-Up | Larry Hamlin | Makeup Artist |
| Art | Michael Paul Clausen | Assistant Art Director |
| Art | Elizabeth Flaherty | Art Department Coordinator |
| Art | Gary Frutkoff | Assistant Art Director |
| Art | Ginni Barr | Set Designer |
| Art | Ron Ervin | Construction Foreman |
| Visual Effects | Craig Barron | Visual Effects Supervisor |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Sound | Jeffrey Wilhoit | Foley |
| Crew | Christopher Doyle | Stunt Coordinator |
| Sound | James Moriana | Foley |
| Visual Effects | Julia Gibson | Visual Effects Producer |
| Lighting | Dante Cardone | Gaffer |
| Lighting | Max Pomerleau | Gaffer |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Art | George Denes Suhayda | Set Designer |
| Sound | Mark A. Lanza | Sound Effects Editor |
| Visual Effects | Robert Skotak | Visual Effects Supervisor |
| Costume & Make-Up | Lynda Foote | Set Costumer |
| Visual Effects | Jammie Friday | Animation |
| Directing | Corinne Saaranen-Welch | Script Supervisor |
| Sound | Dino DiMuro | Sound Effects Editor |
| Crew | Stacy Ivers | Unit Publicist |
| Camera | Frank M. Holgate | Helicopter Camera |
| Sound | Bob Badami | Music Editor |
| Production | Gerrit V. Folsom | Location Manager |
| Crew | Roger Nall | Scenic Artist |
| Sound | Terry Rodman | Supervising Sound Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Costume & Make-Up | Lisa Burnett | Set Costumer |
| Sound | Matthew Iadarola | Sound Re-Recording Mixer |
| Visual Effects | William Mesa | Visual Effects Supervisor |
| Crew | Tim Donahue | Visual Effects Art Director |
| Camera | Melinda Sue Gordon | Still Photographer |
| Production | Nancy Nayor | Casting |
| Crew | Lane Leavitt | Stunts |
| Crew | Tim Trella | Stunts |
| Crew | Sherry Peterson | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | John Casino | Stunts |
| Crew | Gene LeBell | Stunts |
| Crew | Barbara Anne Klein | Utility Stunts |
| Art | Barbara A. Bordo | Painter |
| Art | Pablo Ferro | Title Designer |
| Sound | Steve Bartek | Orchestrator |
| Crew | Harry Hauss | Pilot |
| Production | Kristin Smith | Production Coordinator |
| Camera | Gary D. Scott | First Assistant Camera |
| Crew | Tony Didio Jr. | Armorer |
| Production | Daryl Kass | Line Producer |
| Directing | Scott Javine | First Assistant Director |
| Editing | Richard Alderete | First Assistant Editor |
| Art | Kirk Corwin | Property Master |
| Crew | Manny Perry | Stunts |
| Crew | Gregory J. Barnett | Stunts |
| Directing | Francis R. Mahony III | Second Assistant Director |
| Editing | Bob Murawski | Editor |
