Butch Haynes ontsnapt samen met zijn celgenoot. Door diens toedoen is hij genoodzaakt een gijzelaar mee te nemen, een jongen uit een gelovige familie, die zijn vader nooit gekend heeft. De autoriteiten van Texas willen voorkomen dat hij de grens overgaat.
Nee, helaas is A Perfect World nog niet beschikbaar op Netflix in Nederland.
| Directing | Clint Eastwood | Director |
| Production | David Valdes | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Editing | Ron Spang | Editor |
| Camera | Jack N. Green | Director of Photography |
| Editing | Joel Cox | Editor |
| Writing | John Lee Hancock | Writer |
| Sound | T.J. Lowther | Songs |
| Production | Mark Johnson | Producer |
| Art | Alan Hicks | Set Decoration |
| Art | Henry Bumstead | Production Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Phyllis Huffman | Casting |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Crew | Norman Howell | Stunt Double |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Directing | Bill Bannerman | Second Assistant Director |
| Production | David Valdes | Production Manager |
| Directing | Sarah Shields | Second Second Assistant Director |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Production | Liz Keigley | Casting |
| Camera | Tony Rivetti Sr. | First Assistant "A" Camera |
| Production | Amy Chance | Production Secretary |
| Art | Charlie Vasser | Set Designer |
| Camera | John Patrick Smith | Second Assistant "B" Camera |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Lighting | Víctor Pérez | Assistant Chief Lighting Technician |
| Sound | Jeff Wexler | Sound Mixer |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Donald Harris | Music Editor |
| Crew | David Amborn | Special Effects |
| Production | Jeff Kloss | Production Accountant |
| Editing | Michael Cipriano | Assistant Editor |
| Directing | Karon May | Script Supervisor |
| Camera | Don Reddy | "B" Camera Operator |
| Camera | Murray Close | Still Photographer |
| Sound | Allen L. Stone | Sound Re-Recording Mixer |
| Lighting | John Lacy | Rigging Gaffer |
| Crew | James W. McCormick | Special Effects |
| Lighting | Tom Stern | Chief Lighting Technician |
| Sound | Don Coufal | Boom Operator |
| Art | Antoinette J. Gordon | Set Designer |
| Art | William F. Reynolds | Leadman |
| Costume & Make-Up | Kelly Lindquist | Set Costumer |
| Camera | Antonio V. Garrido | Dolly Grip |
| Production | Cynthia Streit | Production Coordinator |
| Directing | L. Dean Jones Jr. | First Assistant Director |
| Costume & Make-Up | James Lee McCoy | Makeup Artist |
| Lighting | Buzzy Burwell | Rigging Gaffer |
| Camera | Charles Saldaña | Key Grip |
| Camera | Hal Nelson | Best Boy Grip |
| Camera | Gary Jay | First Assistant "B" Camera |
| Camera | John Waldo | Second Assistant "A" Camera |
| Costume & Make-Up | Amy Stofsky | Costume Supervisor |
| Costume & Make-Up | Carol A. O'Connell | Hairstylist |
| Camera | Stephen St. John | "A" Camera Operator |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Crew | John Frazier | Special Effects Coordinator |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Crew | Marco Barla | Unit Publicist |
| Art | Edward Aiona | Property Master |
| Crew | Andy Gill | Stunts |
| Crew | Brian Smrz | Stunts |
