Coach Tony D'Amato is een levende legende in het American football. Maar sinds de drie nederlagen op rij ziet de toekomst van zijn Miami Sharks er niet bepaald rooskleurig uit. Tony vreest dan ook dat hij op het einde van het seizoen ontslagen zal worden door de jonge, ambitieuze voorzitster en mede-eigenares van de ploeg, Christina Pagniacci. Om het lot van zijn spelers en zichzelf te redden kan hij echter niet meer rekenen op zijn belangrijkste pion, de geblesseerde quarterback Jack Rooney. Wanneer ook zijn tweede quarterback sneuvelt, zit er voor Tony niets anders op dan een jonge, onbekende vervanger in te schakelen: Willie Beamen.
Nee, helaas is Any Given Sunday nog niet beschikbaar op Netflix in Nederland.
| Sound | Paul Kelly | Original Music Composer |
| Writing | John Logan | Screenplay |
| Editing | Thomas J. Nordberg | Editor |
| Production | Lauren Shuler Donner | Producer |
| Writing | Oliver Stone | Screenplay |
| Editing | Stuart Levy | Editor |
| Production | Oliver Stone | Executive Producer |
| Production | Dan Halsted | Producer |
| Production | Clayton Townsend | Producer |
| Production | Richard Donner | Executive Producer |
| Camera | Salvatore Totino | Director of Photography |
| Editing | Keith Salmon | Editor |
| Editing | Stuart Waks | Editor |
| Directing | Oliver Stone | Director |
| Sound | Richard Horowitz | Original Music Composer |
| Directing | Allan Graf | Second Unit Director |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Art | Derek R. Hill | Art Direction |
| Sound | Patrick Cyccone Jr. | Sound Re-Recording Mixer |
| Sound | Randy Kelley | Sound Effects Editor |
| Costume & Make-Up | Ellen Falguiere | Assistant Costume Designer |
| Directing | Elizabeth Ludwick-Bax | Script Supervisor |
| Sound | Hector C. Gika | Sound Effects Editor |
| Sound | Perry Robertson | Sound Effects Editor |
| Sound | Scott Sanders | Sound Effects Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Production | Mary Vernieu | Casting |
| Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Art | Ford Wheeler | Set Decoration |
| Sound | Peter J. Devlin | Production Sound Mixer |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Michael Keller | Sound Re-Recording Mixer |
| Costume & Make-Up | Mary Zophres | Costume Design |
| Production | Billy Hopkins | Casting |
| Art | Victor Kempster | Production Design |
| Art | Ronald R. Reiss | Set Decoration |
| Sound | Neal J. Anderson | Sound Effects Editor |
| Camera | Robert Zuckerman | Still Photographer |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Sound | Kelly Cabral | Supervising Sound Editor |
| Sound | Kimaree Long | Dialogue Editor |
| Art | Charles Guanci Jr. | Property Master |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | Jennifer Mann | ADR Supervisor |
| Art | Rosa Palomo | Art Department Coordinator |
| Sound | Jon Udell | Boom Operator |
| Sound | Nerses Gezalyan | Sound Mixer |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Kevin Cerchiai | Boom Operator |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Editing | Calvin Wimmer | First Assistant Editor |
| Directing | George Parra | First Assistant Director |
| Directing | Richard Patrick | First Assistant Director |
| Writing | John Logan | Screenstory |
| Writing | Daniel Pyne | Screenstory |
| Crew | Allan Graf | Stunt Coordinator |
