Coach Tony D'Amato is een levende legende in het American football. Maar sinds de drie nederlagen op rij ziet de toekomst van zijn Miami Sharks er niet bepaald rooskleurig uit. Tony vreest dan ook dat hij op het einde van het seizoen ontslagen zal worden door de jonge, ambitieuze voorzitster en mede-eigenares van de ploeg, Christina Pagniacci. Om het lot van zijn spelers en zichzelf te redden kan hij echter niet meer rekenen op zijn belangrijkste pion, de geblesseerde quarterback Jack Rooney. Wanneer ook zijn tweede quarterback sneuvelt, zit er voor Tony niets anders op dan een jonge, onbekende vervanger in te schakelen: Willie Beamen.
Nee, helaas is Any Given Sunday nog niet beschikbaar op Netflix in Nederland.
| Editing | Thomas J. Nordberg | Editor |
| Editing | Stuart Waks | Editor |
| Production | Clayton Townsend | Producer |
| Production | Richard Donner | Executive Producer |
| Sound | Richard Horowitz | Original Music Composer |
| Writing | Oliver Stone | Screenplay |
| Production | Lauren Shuler Donner | Producer |
| Sound | Paul Kelly | Original Music Composer |
| Directing | Oliver Stone | Director |
| Production | Oliver Stone | Executive Producer |
| Production | Dan Halsted | Producer |
| Editing | Stuart Levy | Editor |
| Writing | John Logan | Screenplay |
| Camera | Salvatore Totino | Director of Photography |
| Editing | Keith Salmon | Editor |
| Directing | Allan Graf | Second Unit Director |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Art | Derek R. Hill | Art Direction |
| Sound | Randy Kelley | Sound Effects Editor |
| Art | Ronald R. Reiss | Set Decoration |
| Camera | Robert Zuckerman | Still Photographer |
| Costume & Make-Up | Mary Zophres | Costume Design |
| Sound | Hector C. Gika | Sound Effects Editor |
| Production | Mary Vernieu | Casting |
| Art | Victor Kempster | Production Design |
| Sound | Perry Robertson | Sound Effects Editor |
| Costume & Make-Up | Ellen Falguiere | Assistant Costume Designer |
| Sound | Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
| Sound | Michael Keller | Sound Re-Recording Mixer |
| Art | Ford Wheeler | Set Decoration |
| Sound | Kelly Cabral | Supervising Sound Editor |
| Directing | Elizabeth Ludwick-Bax | Script Supervisor |
| Sound | Scott Sanders | Sound Effects Editor |
| Sound | Patrick Cyccone Jr. | Sound Re-Recording Mixer |
| Production | Billy Hopkins | Casting |
| Sound | Peter J. Devlin | Production Sound Mixer |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Sound | Neal J. Anderson | Sound Effects Editor |
| Editing | Calvin Wimmer | First Assistant Editor |
| Sound | Nerses Gezalyan | Sound Mixer |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Directing | Richard Patrick | First Assistant Director |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Kimaree Long | Dialogue Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | Jon Udell | Boom Operator |
| Art | Rosa Palomo | Art Department Coordinator |
| Directing | George Parra | First Assistant Director |
| Sound | Kevin Cerchiai | Boom Operator |
| Art | Charles Guanci Jr. | Property Master |
| Sound | Jennifer Mann | ADR Supervisor |
| Writing | Daniel Pyne | Screenstory |
| Crew | Allan Graf | Stunt Coordinator |
| Writing | John Logan | Screenstory |
| Art | Jason Sweers | Graphic Designer |
