Terry McCabe, een FBI-agent in Los Angeles die weldra met pensioen gaat, wordt na een wilde achtervolging geveld door een hartaanval. Na een harttransplantatie wil hij genieten van een welverdiende rust, maar hij krijgt een zekere Graciella Rivers op bezoek die hem vraagt de moordenaar van haar zus op te sporen.
Nee, helaas is Blood Work nog niet beschikbaar op Netflix in Nederland.
| Editing | Joel Cox | Editor |
| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Production | Robert Lorenz | Executive Producer |
| Writing | Brian Helgeland | Screenplay |
| Camera | Tom Stern | Director of Photography |
| Sound | Lennie Niehaus | Original Music Composer |
| Writing | Michael Connelly | Novel |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Art | Jack G. Taylor Jr. | Art Direction |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Sound | Beau Borders | Sound Effects Editor |
| Art | Henry Bumstead | Production Design |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Sound | Jason King | Sound Effects Editor |
| Art | Richard C. Goddard | Set Decoration |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Production | Phyllis Huffman | Casting |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Sound | Eileen Horta | Sound Effects Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Editing | Gary D. Roach | Assistant Editor |
| Sound | Howard Neiman | Sound Effects Editor |
| Sound | Doug Jackson | Sound Effects Editor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Editing | Michael Cipriano | Assistant Editor |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Paul C. Warschilka | Sound Effects Editor |
| Sound | Denise Horta | ADR Editor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Juno J. Ellis | ADR Supervisor |
| Sound | Shawn Sykora | Foley Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | John T. Cucci | Foley Artist |
| Sound | James Ashwill | Foley Mixer |
| Sound | Karen Spangenberg | Dialogue Editor |
| Art | Michael Sexton | Property Master |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Stephen Janisz | ADR Editor |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Joe Divitale | Foley Editor |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Walt Martin | Sound Mixer |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Costume & Make-Up | Juliet Loveland | Makeup Artist |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Costume & Make-Up | Patricia DeHaney | Key Hair Stylist |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Production | Judie Hoyt | Co-Producer |
| Directing | Robert Lorenz | First Assistant Director |
| Directing | Melissa Cummins Lorenz | Second Assistant Director |
| Crew | Steve Riley | Special Effects Coordinator |
| Crew | Todd Bryant | Stunts |
| Crew | Ian Eyre | Stunts |
| Crew | Richard Bucher | Stunts |
| Crew | Sharon Schaffer | Stunts |
| Crew | Buck McDancer | Stunts |
| Crew | Gary J. Wayton | Stunts |
| Lighting | Ross Dunkerley | Chief Lighting Technician |
