Professor Phillip Brainard werkt met zijn assistent Weebo aan een goedje dat een nieuwe bron van energie is. Dit zal het Medfield College, waar zijn liefje Sara president is, redden van de ondergang. Hij heeft z'n bruiloft al tweemaal gemist, en op de middag van zijn derde poging creëert hij flubber, waarmee objecten kunnen vliegen.
Nee, helaas is Flubber nog niet beschikbaar op Netflix in Nederland.
| Editing | Michael A. Stevenson | Editor |
| Production | John Hughes | Producer |
| Production | David Nicksay | Executive Producer |
| Editing | Harvey Rosenstock | Editor |
| Writing | John Hughes | Screenplay |
| Camera | Dean Cundey | Director of Photography |
| Writing | Bill Walsh | Screenplay |
| Production | Ricardo Mestres | Producer |
| Directing | Les Mayfield | Director |
| Costume & Make-Up | Amy J. Smith | Costumer |
| Lighting | Tom Cloutier | Electrician |
| Lighting | Jason Boccaleoni | Electrician |
| Art | Stephen J. Gardner | Assistant Property Master |
| Sound | Andrew Somers | Sound Effects Editor |
| Camera | Lynetta Freeman | Second Assistant Camera |
| Crew | Freddie Hice | Stunt Coordinator |
| Production | Michael Polaire | Unit Production Manager |
| Directing | Angela C. Tortu | Second Assistant Director |
| Crew | Roy Augenstein | Special Effects Technician |
| Art | Daniel B. Clancy | Leadman |
| Sound | Chris Hogan | Sound Effects Editor |
| Costume & Make-Up | Joseph Markham | Costume Supervisor |
| Camera | William Coss | First Assistant Camera |
| Sound | Bryan Bowen | Sound Effects Editor |
| Camera | Casey Hotchkiss | Camera Operator |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | Ellen Segal | Music Editor |
| Sound | Mike Boudry | ADR Recordist |
| Sound | Constance A. Kazmer | Dialogue Editor |
| Production | Suzy Sharp-Kane | Casting Associate |
| Sound | James Moriana | Foley Artist |
| Sound | Michael A. Reagan | Sound Effects Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Michelle Pazer | Sound Assistant |
| Production | Beau Bonneau | Extras Casting |
| Production | Rory Enke | Location Manager |
| Sound | Doc Kane | ADR Mixer |
| Lighting | Michael Orefice | Chief Lighting Technician |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Dean A. Zupancic | Sound Re-Recording Mixer |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Dino DiMuro | Sound Effects Editor |
| Sound | Richard Dwan Jr. | Sound Effects Editor |
| Sound | Dan Hegeman | Sound Effects Editor |
| Sound | Peter Zinda | Sound Effects Editor |
| Sound | Lee W. Lebaigue | Sound Assistant |
| Crew | Robert K. Johnson | Transportation Captain |
| Sound | Kimberly Lowe Voigt | ADR Editor |
| Sound | David Stanke | Sound Assistant |
| Camera | Phil Bray | Still Photographer |
| Crew | Michael Umble | Unit Publicist |
| Editing | Bob Putynkowski | Color Timer |
| Directing | Peter Crosman | Second Unit Director |
| Crew | Kenny Searle | Transportation Coordinator |
| Sound | Dan M. Rich | Dialogue Editor |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | Larry Kemp | ADR Editor |
| Sound | Arthur Farkas | Foley Editor |
| Sound | Catherine Harper | Foley Artist |
| Directing | Matthew H. Rowland | First Assistant Director |
| Directing | Carol DePasquale | Script Supervisor |
| Lighting | Terry Sullivan | Best Boy Electric |
| Sound | John K. Adams | ADR Editor |
| Sound | David W. Alstadter | Foley Mixer |
| Camera | Raymond Stella | Second Unit Director of Photography |
| Visual Effects | Howard E. Baker | Animation Supervisor |
| Writing | Samuel W. Taylor | Short Story |
| Visual Effects | Matsune Suzuki | Modeling |
| Sound | Steve Bartek | Orchestrator |
| Crew | Steve Kelso | Stunts |
| Production | Nancy Foy | Casting |
| Crew | Troy Gilbert | Stunts |
| Crew | Heather Burton | Stunts |
| Crew | Troy Robinson | Stunt Double |
| Crew | Troy Brown | Stunt Double |
| Art | Keith Neely | Assistant Art Director |
| Art | Daniel Loren May | Set Decoration |
| Art | James E. Tocci | Art Direction |
| Visual Effects | Lynda Thompson | Visual Effects Producer |
| Crew | Stan Parks | Special Effects Coordinator |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Visual Effects | Tom Bertino | Visual Effects Supervisor |
| Art | Erin Kemp | Set Designer |
| Costume & Make-Up | Cheri Minns | Makeup Supervisor |
| Sound | Danny Elfman | Original Music Composer |
| Visual Effects | Peter Crosman | Visual Effects Supervisor |
| Costume & Make-Up | Marianna Åström-De Fina | Makeup Artist |
| Costume & Make-Up | April Ferry | Costume Design |
| Visual Effects | Douglas Smith | Visual Effects Supervisor |
| Sound | Scott Martin Gershin | Supervising Sound Editor |
| Costume & Make-Up | Mariann Ybarra | Hairstylist |
| Production | Michael Polaire | Co-Producer |
| Visual Effects | Tom Bertino | Animation Supervisor |
| Art | Andrew McAlpine | Production Design |
| Visual Effects | Rochelle Gross | Visual Effects Coordinator |
| Costume & Make-Up | Kris Ravetto | Makeup Artist |
| Visual Effects | Daniel Sudick | Special Effects Supervisor |
| Visual Effects | Sandra Ford Karpman | Visual Effects Supervisor |
| Visual Effects | Roni McKinley | Visual Effects Producer |
| Sound | Wylie Stateman | Supervising Sound Editor |
