Het verhaal over het aandoenlijke biggetje Babe speelt zich af op een boerderij, waar het dier is gedoemd om als kerstdiner te dienen voor de familie Hoggett. Boer Hoggett heeft het varken gewonnen, nadat hij diens juiste gewicht had geraden tijdens een jaarmarkt. Op de boerderij raakt Babe bevriend met de collie Fly, die juist een nest jongen heeft geworpen en die Babe graag adopteert. Fly leert hem hoe hij zich moet gedragen als schaapsherder. Alles gaat goed totdat Babe een nieuw maatje krijgt in de gedaante van de egoïstische eend Ferdinand die alleen maar kwajongensstreken wil uithalen.
Nee, helaas is Babe: The Gallant Pig nog niet beschikbaar op Netflix in Nederland.
| Production | Liz Mullinar | Casting |
| Production | Valerie McCaffrey | Casting |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Jane Maguire | Post Production Coordinator |
| Sound | Julius Chan | Sound Supervisor |
| Sound | Antony Gray | Dialogue Editor |
| Sound | Libby Villa | Dialogue Editor |
| Sound | Steve Burgess | Foley Artist |
| Sound | Jerry Long | Foley Artist |
| Sound | Gavin Myers | Foley Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Dana Porter | ADR Recordist |
| Sound | John Penders | Sound Effects Editor |
| Sound | Andrew Plain | Sound Effects Editor |
| Sound | Angus Robertson | Sound Effects Editor |
| Sound | Lawrie Silvestrin | Sound Effects Editor |
| Camera | Robin Morgan | Key Grip |
| Sound | Ben Osmo | Sound Recordist |
| Sound | Gerry Nucifora | Boom Operator |
| Costume & Make-Up | Carolyn Tyrer | Makeup & Hair |
| Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
| Art | Colin Gibson | Art Direction |
| Art | Kerrie Brown | Set Decoration |
| Art | Peter Pound | Storyboard Artist |
| Camera | Jim Townley | Still Photographer |
| Camera | Barry Peake | Still Photographer |
| Directing | Chris Noonan | Director |
| Writing | George Miller | Screenplay |
| Writing | Chris Noonan | Screenplay |
| Production | Bill Miller | Producer |
| Production | George Miller | Producer |
| Production | Doug Mitchell | Producer |
| Sound | Nigel Westlake | Original Music Composer |
| Camera | Andrew Lesnie | Director of Photography |
| Editing | Marcus D'Arcy | Editor |
| Editing | Jay Friedkin | Editor |
| Directing | P.J. Voeten | Second Unit First Assistant Director |
| Camera | Colin Deane | Focus Puller |
| Camera | Nick Watt | Clapper Loader |
| Camera | Katrina Crook | Focus Puller |
| Camera | Chris Hobbs | Clapper Loader |
| Camera | Toby Copping | Key Grip |
| Camera | Ken Arlidge | Second Unit Director of Photography |
| Writing | Dick King-Smith | Novel |
| Art | Roger Ford | Production Design |
| Visual Effects | Simon Whiteley | Visual Effects Designer |
| Production | Philip Hearnshaw | Associate Producer |
| Production | Daphne Paris | Associate Producer |
| Production | Catherine Barber | Associate Producer |
| Production | Sue Wild | Unit Production Manager |
| Directing | Philip Hearnshaw | First Assistant Director |
| Directing | Simon Warnock | Second Assistant Director |
| Directing | Kate Dennis | Script Supervisor |
| Production | Vanessa Brown | Production Coordinator |
| Camera | Steve Newman | Camera Operator |
| Costume & Make-Up | Roger Ford | Costume Designer |
