Het verhaal over het aandoenlijke biggetje Babe speelt zich af op een boerderij, waar het dier is gedoemd om als kerstdiner te dienen voor de familie Hoggett. Boer Hoggett heeft het varken gewonnen, nadat hij diens juiste gewicht had geraden tijdens een jaarmarkt. Op de boerderij raakt Babe bevriend met de collie Fly, die juist een nest jongen heeft geworpen en die Babe graag adopteert. Fly leert hem hoe hij zich moet gedragen als schaapsherder. Alles gaat goed totdat Babe een nieuw maatje krijgt in de gedaante van de egoïstische eend Ferdinand die alleen maar kwajongensstreken wil uithalen.
Nee, helaas is Babe: The Gallant Pig nog niet beschikbaar op Netflix in Nederland.
| Sound | Antony Gray | Dialogue Editor |
| Sound | Libby Villa | Dialogue Editor |
| Production | Valerie McCaffrey | Casting |
| Sound | Julius Chan | Sound Supervisor |
| Sound | Andrew Plain | Sound Effects Editor |
| Camera | Barry Peake | Still Photographer |
| Sound | Steve Burgess | Foley Artist |
| Art | Kerrie Brown | Set Decoration |
| Sound | Jerry Long | Foley Artist |
| Costume & Make-Up | Carolyn Tyrer | Makeup & Hair |
| Production | Liz Mullinar | Casting |
| Sound | Gavin Myers | Foley Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | John Penders | Sound Effects Editor |
| Sound | Lawrie Silvestrin | Sound Effects Editor |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Jane Maguire | Post Production Coordinator |
| Sound | Dana Porter | ADR Recordist |
| Art | Peter Pound | Storyboard Artist |
| Camera | Jim Townley | Still Photographer |
| Camera | Robin Morgan | Key Grip |
| Sound | Ben Osmo | Sound Recordist |
| Sound | Gerry Nucifora | Boom Operator |
| Sound | Angus Robertson | Sound Effects Editor |
| Art | Colin Gibson | Art Direction |
| Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
| Camera | Andrew Lesnie | Director of Photography |
| Editing | Jay Friedkin | Editor |
| Directing | Chris Noonan | Director |
| Production | Bill Miller | Producer |
| Sound | Nigel Westlake | Original Music Composer |
| Production | Doug Mitchell | Producer |
| Editing | Marcus D'Arcy | Editor |
| Writing | George Miller | Screenplay |
| Production | George Miller | Producer |
| Writing | Chris Noonan | Screenplay |
| Directing | P.J. Voeten | Second Unit First Assistant Director |
| Camera | Colin Deane | Focus Puller |
| Camera | Nick Watt | Clapper Loader |
| Camera | Chris Hobbs | Clapper Loader |
| Camera | Ken Arlidge | Second Unit Director of Photography |
| Camera | Katrina Crook | Focus Puller |
| Camera | Toby Copping | Key Grip |
| Writing | Dick King-Smith | Novel |
| Art | Roger Ford | Production Design |
| Visual Effects | Simon Whiteley | Visual Effects Designer |
| Production | Sue Wild | Unit Production Manager |
| Production | Philip Hearnshaw | Associate Producer |
| Directing | Kate Dennis | Script Supervisor |
| Directing | Simon Warnock | Second Assistant Director |
| Production | Vanessa Brown | Production Coordinator |
| Production | Daphne Paris | Associate Producer |
| Directing | Philip Hearnshaw | First Assistant Director |
| Production | Catherine Barber | Associate Producer |
| Camera | Steve Newman | Camera Operator |
| Costume & Make-Up | Roger Ford | Costume Designer |
| Visual Effects | Tex Kadonaga | Modeling |
