Het verhaal over het aandoenlijke biggetje Babe speelt zich af op een boerderij, waar het dier is gedoemd om als kerstdiner te dienen voor de familie Hoggett. Boer Hoggett heeft het varken gewonnen, nadat hij diens juiste gewicht had geraden tijdens een jaarmarkt. Op de boerderij raakt Babe bevriend met de collie Fly, die juist een nest jongen heeft geworpen en die Babe graag adopteert. Fly leert hem hoe hij zich moet gedragen als schaapsherder. Alles gaat goed totdat Babe een nieuw maatje krijgt in de gedaante van de egoïstische eend Ferdinand die alleen maar kwajongensstreken wil uithalen.
Nee, helaas is Babe: The Gallant Pig nog niet beschikbaar op Netflix in Nederland.
| Sound | Dana Porter | ADR Recordist |
| Production | Jane Maguire | Post Production Coordinator |
| Sound | Antony Gray | Dialogue Editor |
| Sound | Libby Villa | Dialogue Editor |
| Sound | Julius Chan | Sound Supervisor |
| Sound | Angus Robertson | Sound Effects Editor |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Valerie McCaffrey | Casting |
| Sound | Andrew Plain | Sound Effects Editor |
| Sound | Jerry Long | Foley Artist |
| Sound | Gavin Myers | Foley Editor |
| Sound | John Penders | Sound Effects Editor |
| Sound | Lawrie Silvestrin | Sound Effects Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Production | Liz Mullinar | Casting |
| Sound | Steve Burgess | Foley Artist |
| Camera | Jim Townley | Still Photographer |
| Camera | Robin Morgan | Key Grip |
| Camera | Barry Peake | Still Photographer |
| Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
| Art | Peter Pound | Storyboard Artist |
| Sound | Ben Osmo | Sound Recordist |
| Sound | Gerry Nucifora | Boom Operator |
| Costume & Make-Up | Carolyn Tyrer | Makeup & Hair |
| Art | Colin Gibson | Art Direction |
| Art | Kerrie Brown | Set Decoration |
| Camera | Andrew Lesnie | Director of Photography |
| Writing | Chris Noonan | Screenplay |
| Production | George Miller | Producer |
| Directing | Chris Noonan | Director |
| Production | Bill Miller | Producer |
| Production | Doug Mitchell | Producer |
| Editing | Marcus D'Arcy | Editor |
| Sound | Nigel Westlake | Original Music Composer |
| Editing | Jay Friedkin | Editor |
| Writing | George Miller | Screenplay |
| Camera | Nick Watt | Clapper Loader |
| Directing | P.J. Voeten | Second Unit First Assistant Director |
| Camera | Colin Deane | Focus Puller |
| Camera | Chris Hobbs | Clapper Loader |
| Camera | Toby Copping | Key Grip |
| Camera | Ken Arlidge | Second Unit Director of Photography |
| Camera | Katrina Crook | Focus Puller |
| Writing | Dick King-Smith | Novel |
| Art | Roger Ford | Production Design |
| Visual Effects | Simon Whiteley | Visual Effects Designer |
| Directing | Kate Dennis | Script Supervisor |
| Production | Philip Hearnshaw | Associate Producer |
| Production | Daphne Paris | Associate Producer |
| Production | Catherine Barber | Associate Producer |
| Production | Vanessa Brown | Production Coordinator |
| Directing | Simon Warnock | Second Assistant Director |
| Production | Sue Wild | Unit Production Manager |
| Directing | Philip Hearnshaw | First Assistant Director |
| Camera | Steve Newman | Camera Operator |
| Costume & Make-Up | Roger Ford | Costume Designer |
| Visual Effects | Tex Kadonaga | Modeling |
