Happy Gilmore heeft een droom om ijshockeyspeler te worden. Het grote probleem is echter dat hij niet kan schaatsen, en veldhockey is te soft voor hem. Dan blijkt dat zijn oma geen belasting heeft betaald en haar huis wordt afgepakt. Happy belooft het geld te verzamelen om het huis terug te kopen. Als hij op een golfclub komt realiseert hij zich dat hij zijn harde slagen ook kan gebruiken bij deze sport, ook al is hij duidelijk niet de persoon om in een dure club te komen.
Nee, helaas is Happy Gilmore nog niet beschikbaar op Netflix in Nederland.
Writing | Tim Herlihy | Screenplay |
Production | Robert Simonds | Producer |
Writing | Adam Sandler | Screenplay |
Production | Bernie Brillstein | Executive Producer |
Production | Brad Grey | Executive Producer |
Editing | Steve R. Moore | Editor |
Camera | Arthur Albert | Director of Photography |
Editing | Jeff Gourson | Editor |
Sound | Mark Mothersbaugh | Original Music Composer |
Directing | Dennis Dugan | Director |
Sound | James Kusan | Boom Operator |
Costume & Make-Up | Lisa Taylor Roberts | Key Makeup Artist |
Art | Perry Andelin Blake | Production Design |
Camera | Terry McEwen | First Assistant Camera |
Costume & Make-Up | Anji Bemben | Key Hair Stylist |
Crew | Wendi Laski | Unit Publicist |
Sound | Christopher Assells | Dialogue Editor |
Sound | James Moriana | Foley Artist |
Sound | Brian D. Lucas | Sound Recordist |
Camera | David Crone | Camera Operator |
Costume & Make-Up | Fay von Schroeder | Makeup Artist |
Sound | Bruce Nyznik | Supervising Sound Editor |
Sound | Elizabeth Kenton | ADR Editor |
Sound | Rick Patton | Sound Mixer |
Directing | Arlene L. Arnold | Third Assistant Director |
Art | Bill Thumm | Property Master |
Lighting | Barry Donlevy | Gaffer |
Art | Mark Lane | Set Decoration |
Sound | Sukey Fontelieu | Dialogue Editor |
Sound | Dino DiMuro | Dialogue Editor |
Camera | Thom Ryan | First Assistant Camera |
Directing | Lara Fox | Script Supervisor |
Sound | Patrick O'Sullivan | Sound Effects Editor |
Editing | Jim Passon | Color Timer |
Art | Nancy Ford | Assistant Art Director |
Sound | Hilda Hodges | Foley Artist |
Camera | Christina Kasperczyk | Second Assistant Camera |
Production | Sandra Couldwell | Extras Casting |
Art | William Heslup | Production Design |
Costume & Make-Up | Christine Coutts | Assistant Costume Designer |
Costume & Make-Up | Jill Winston | Hairstylist |
Sound | Tom Perry | Sound Re-Recording Mixer |
Sound | Doug Jackson | Foley Editor |
Sound | Matt Patterson | Sound Recordist |
Camera | Tim Hogan | Key Grip |
Production | Karen Day | Production Accountant |
Sound | Mary Jo Lang | Foley Mixer |
Sound | Paul Massey | Sound Re-Recording Mixer |
Sound | Chris David | Sound Re-Recording Mixer |
Camera | Joel Ransom | Camera Operator |
Sound | Thom Brennan | Sound Effects Editor |
Sound | Jeff Courtie | ADR Mixer |
Art | R.D. 'Luther' Fairbairn | Assistant Property Master |
Production | Greg Jackson | Location Manager |
Art | Glenn Woodruff | Construction Coordinator |
Crew | Jake Callihoo | Transportation Coordinator |
Sound | Kim Naves | Music Editor |
Sound | Richard C. Franklin | Foley Supervisor |
Editing | Sandy Brundage | Negative Cutter |
Sound | John Roesch | Foley Artist |
Sound | Alan Holly | ADR Mixer |
Directing | Wayne Bennett | Second Assistant Director |
Camera | Dana Barnaby | Second Assistant Camera |
Crew | Melissa R. Stubbs | Stunts |
Crew | Corry Glass | Stunts |
Production | Warren Carr | Unit Production Manager |
Crew | Robert Hackl | Post Production Supervisor |
Sound | Jennifer Pyken | Music Supervisor |
Production | Warren Carr | Co-Producer |
Sound | Mary Ramos | Music Supervisor |
Art | Richard Harrison | Art Direction |
Production | Sandy Wernick | Executive Producer |
Production | Joanna Colbert | Casting |
Sound | Michelle Kuznetsky Silverman | Music Supervisor |
Costume & Make-Up | Tish Monaghan | Costume Designer |
Directing | Peter D. Marshall | First Assistant Director |
Production | Jack Giarraputo | Co-Producer |
Crew | Brent Woolsey | Stunt Coordinator |