Brooklyn, New York, 22 augustus 1972. Net voor de middagsluiting overvallen Sonny en Sal een bank. Langer dan tien minuten mocht de overval niet duren, maar er zit niet genoeg geld in de kluis en de politie staat sneller voor de deur dan voorzien zodat de gangsters met hun gijzelaars ingesloten zitten.
Nee, helaas is Dog Day Afternoon nog niet beschikbaar op Netflix in Nederland.
Writing | Frank Pierson | Screenplay |
Production | Martin Elfand | Producer |
Art | Charles Bailey | Production Design |
Art | Douglas Higgins | Art Direction |
Production | Don Phillips | Casting |
Production | Michael Chinich | Casting |
Editing | Dede Allen | Editor |
Costume & Make-Up | Anna Hill Johnstone | Costume Design |
Camera | Victor J. Kemper | Director of Photography |
Art | Robert Drumheller | Set Decoration |
Production | Martin Bregman | Producer |
Crew | A.J. Bakunas | Stunts |
Production | Lois Kramer Hartwick | Production Coordinator |
Production | Martin Danzig | Location Manager |
Art | Joseph M. Caracciolo | Property Master |
Sound | Jack Fitzstephens | Sound Editor |
Directing | Burtt Harris | Assistant Director |
Directing | Alan Hopkins | Assistant Director |
Directing | B.J. Bjorkman | Script Supervisor |
Editing | Angelo Corrao | Assistant Editor |
Camera | Fred Schuler | Camera Operator |
Crew | Carlos Quiles | Carpenter |
Writing | Leslie Waller | Book |
Costume & Make-Up | Philip Leto | Hairstylist |
Sound | James Sabat | Sound Mixer |
Sound | Dick Vorisek | Recording Supervision |
Costume & Make-Up | Peggy Farrell | Wardrobe Supervisor |
Sound | Stephen A. Rotter | Sound Editor |
Writing | P.F. Kluge | Book |
Sound | Sanford Rackow | Sound Editor |
Costume & Make-Up | Clifford Capone | Wardrobe Supervisor |
Sound | Richard P. Cirincione | Sound Editor |
Costume & Make-Up | Reginald Tackley | Makeup Artist |
Writing | Thomas Moore | Book |
Costume & Make-Up | Max Henriquez | Assistant Makeup Artist |
Production | Robert Greenhut | Associate Producer |
Directing | Sidney Lumet | Director |