Brooklyn, New York, 22 augustus 1972. Net voor de middagsluiting overvallen Sonny en Sal een bank. Langer dan tien minuten mocht de overval niet duren, maar er zit niet genoeg geld in de kluis en de politie staat sneller voor de deur dan voorzien zodat de gangsters met hun gijzelaars ingesloten zitten.
Nee, helaas is Dog Day Afternoon nog niet beschikbaar op Netflix in Nederland.
Writing | Frank Pierson | Screenplay |
Production | Martin Bregman | Producer |
Production | Martin Elfand | Producer |
Camera | Victor J. Kemper | Director of Photography |
Editing | Dede Allen | Editor |
Production | Michael Chinich | Casting |
Production | Don Phillips | Casting |
Art | Charles Bailey | Production Design |
Art | Douglas Higgins | Art Direction |
Art | Robert Drumheller | Set Decoration |
Costume & Make-Up | Anna Hill Johnstone | Costume Design |
Crew | A.J. Bakunas | Stunts |
Production | Martin Danzig | Location Manager |
Production | Lois Kramer Hartwick | Production Coordinator |
Art | Joseph M. Caracciolo | Property Master |
Sound | Jack Fitzstephens | Sound Editor |
Writing | Leslie Waller | Book |
Costume & Make-Up | Philip Leto | Hairstylist |
Directing | Burtt Harris | Assistant Director |
Directing | Alan Hopkins | Assistant Director |
Crew | Carlos Quiles | Carpenter |
Editing | Angelo Corrao | Assistant Editor |
Directing | B.J. Bjorkman | Script Supervisor |
Camera | Fred Schuler | Camera Operator |
Sound | James Sabat | Sound Mixer |
Sound | Dick Vorisek | Recording Supervision |
Writing | P.F. Kluge | Book |
Writing | Thomas Moore | Book |
Production | Robert Greenhut | Associate Producer |
Costume & Make-Up | Clifford Capone | Wardrobe Supervisor |
Costume & Make-Up | Peggy Farrell | Wardrobe Supervisor |
Costume & Make-Up | Max Henriquez | Assistant Makeup Artist |
Costume & Make-Up | Reginald Tackley | Makeup Artist |
Sound | Richard P. Cirincione | Sound Editor |
Sound | Sanford Rackow | Sound Editor |
Sound | Stephen A. Rotter | Sound Editor |
Directing | Sidney Lumet | Director |