Na 12 jaar in de gevangenis te hebben gezeten, keert Walter (Kevin Bacon) terug naar huis. Hij vindt werk in een houtzagerij maar krijgt al snel af te rekenen met de demonen uit zijn verleden. Want hoewel hij zich onberispelijk gedraagt, wordt hij voortdurend in de gaten gehouden door de secretaresse Mary Kay en politie-inspecteur Lucas. De enige die hem troost biedt en die hem niet veroordeelt omwille van zijn verleden is Vicki (Kyra Sedgwick). Maar één enkele misstap is voldoende om alles te verliezen.
Nee, helaas is The Woodsman nog niet beschikbaar op Netflix in Nederland.
| Production | Damon Dash | Executive Producer |
| Production | Kevin Bacon | Executive Producer |
| Editing | Lisa Fruchtman | Editor |
| Directing | Nicole Kassell | Director |
| Camera | Xavier Grobet | Director of Photography |
| Production | Brook Lenfest | Executive Producer |
| Editing | Brian A. Kates | Editor |
| Production | Lee Daniels | Producer |
| Production | Dawn Lenfest | Executive Producer |
| Writing | Steven Fechter | Theatre Play |
| Sound | Nathan Larson | Original Music Composer |
| Art | Stephen Beatrice | Production Design |
| Production | Kerry Barden | Casting |
| Production | Billy Hopkins | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Production | Mark Bennett | Casting |
| Costume & Make-Up | Frank L. Fleming | Costume Design |
| Costume & Make-Up | Teresa Binder Westby | Costume Supervisor |
| Costume & Make-Up | Lisa R. Frucht | Costume Supervisor |
| Art | Christine Wick | Set Decoration |
| Directing | Anthony Pettine | Script Supervisor |
| Production | Debra J. Olchick | Unit Production Manager |
| Sound | Brian A. Kates | Music Editor |
| Production | Marvet Britto | Co-Executive Producer |
| Production | Lisa Cortés | Co-Producer |
| Production | Missy Moyer | Production Supervisor |
| Writing | Steven Fechter | Screenplay |
| Writing | Nicole Kassell | Screenplay |
| Production | David Robinson | Co-Producer |
| Production | Valerie Hoffman | Co-Producer |
| Costume & Make-Up | Diane Dixon | Key Hair Stylist |
| Crew | Dakota Anderson | Stunt Coordinator |
| Sound | Linda Cohen | Music Supervisor |
| Production | Candice Williams | Associate Producer |
| Lighting | Andrew Reed Conner | Gaffer |
| Production | Simone Sheffield | Associate Producer |
| Crew | Norman Douglass | Stunts |
| Directing | Thomas Fatone | First Assistant Director |
| Directing | Patrick D. Gibbons | Second Assistant Director |
| Camera | Adger W. Cowans | Still Photographer |
| Sound | Thomas Varga | Sound Mixer |
| Sound | Karl Wasserman | Boom Operator |
| Sound | Chris Kellett | Boom Operator |
| Sound | Michael Primmer | Boom Operator |
| Sound | Aaron Rudelson | Boom Operator |
| Sound | Brian Jordan | Boom Operator |
| Art | Christine Sysko | Leadman |
| Art | Sharon Potts | Property Master |
| Art | Tom West | Assistant Property Master |
| Art | Alan J. Mehlbrech | Key Construction Grip |
| Costume & Make-Up | Kara Morasco | Seamstress |
| Lighting | Richard Asbury | Best Boy Electric |
| Camera | Chris Beattie | Key Grip |
| Camera | Kimberly Rial | Best Boy Grip |
| Lighting | Timothy Weston | Rigging Grip |
| Camera | Mark Catania | Dolly Grip |
| Camera | Kevin Hackenberg | Dolly Grip |
| Production | Amy Comstock | Production Accountant |
| Production | Steven Holtzman | First Assistant Accountant |
| Production | Steven Holtzman | Payroll Accountant |
| Crew | William M. Hamilton Jr | Transportation Coordinator |
| Crew | Jeremy Walker | Unit Publicist |
| Crew | Michael Mezaros | Post Production Supervisor |
| Crew | Kelley Cribben | Post Production Supervisor |
| Sound | Joe Caterini | Supervising Sound Editor |
| Sound | Will Ralston | Supervising Dialogue Editor |
| Sound | Matthew Haasch | Foley Editor |
| Sound | Igor Nikolic | Sound Effects Editor |
| Sound | Jay Peck | Foley Artist |
| Sound | Paul Sacco | Dolby Consultant |
| Sound | Joe Caterini | Sound Re-Recording Mixer |
| Editing | Noëlle Penraat | Negative Cutter |
| Editing | Fred Heid | Color Timer |
