De Londense bankier Max Skinner vertrekt voor het afhandelen van een erfenis naar de Provence in Frankrijk. Zijn oom Henry laat hem een landgoed en een aangrenzende wijngaard na, maar Max wil alles zo snel mogelijk verkopen. Eenmaal in Frankrijk aangekomen, ontmoet hij de mooie Fanny. Wat begint als een kort zakenbezoek, loopt al snel uit tot een veel langer verblijf. Maar dan komt plots Christie op de proppen die beweert een buitenechtelijk kind van Henry te zijn.
Nee, helaas is A Good Year nog niet beschikbaar op Netflix in Nederland.
| Production | Ridley Scott | Producer |
| Directing | Ridley Scott | Director |
| Editing | Dody Dorn | Editor |
| Sound | Marc Streitenfeld | Original Music Composer |
| Camera | Philippe Le Sourd | Director of Photography |
| Production | Dixie Chassay | Casting Assistant |
| Writing | Peter Mayle | Novel |
| Writing | Marc Klein | Screenplay |
| Art | Amy Simons | Art Department Coordinator |
| Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
| Crew | Ernie Malik | Unit Publicist |
| Production | Jina Jay | Casting |
| Art | Bárbara Pérez-Solero | Set Decoration |
| Costume & Make-Up | Catherine Leterrier | Costume Design |
| Production | Antoinette Boulat | Casting |
| Art | Robert Cowper | Art Direction |
| Costume & Make-Up | Hayat Ouled Dahhou | Hairstylist |
| Art | Sonja Klaus | Production Design |
| Art | Frederic Evard | Art Direction |
| Directing | Nikki Clapp | Script Supervisor |
| Crew | Alistair Williams | Special Effects |
| Production | Erin Upson Cuevas | Co-Producer |
| Sound | Jean-Paul Mugel | Production Sound Mixer |
| Crew | Teresa Kelly | Post Production Supervisor |
| Production | Branko Lustig | Executive Producer |
| Sound | Samuel Cohen | Boom Operator |
| Production | Mark Allan | Unit Production Manager |
| Sound | Per Hallberg | Supervising Sound Editor |
| Lighting | Franck Barrault | Gaffer |
| Directing | Emilie Cherpitel | Second Assistant Director |
| Camera | Rico Torres | Still Photographer |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Sound | Doug Hemphill | Sound Mixer |
| Sound | Paul Massey | Sound Mixer |
| Production | Julie Payne | Executive Producer |
| Production | Lisa Ellzey | Executive Producer |
| Camera | Marco Sacerdoti | First Assistant Camera |
| Visual Effects | Wesley Sewell | Visual Effects Supervisor |
| Production | Branko Lustig | Unit Production Manager |
| Camera | Basil Smith | Second Assistant Camera |
| Sound | Chris Benstead | Music Editor |
| Sound | Del Spiva | Music Editor |
| Crew | Philippe Guégan | Stunt Coordinator |
| Directing | Darin Rivetti | First Assistant Director |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Sound | Chris Jargo | Supervising ADR Editor |
| Sound | Frederick H. Stahly | ADR Editor |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | Kerry Ann Carmean | Sound Effects Editor |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Philip D. Morrill | Assistant Sound Editor |
| Sound | Peter Staubli | Sound Effects Editor |
| Editing | Jim Passon | Color Timer |
| Sound | Tony Negrete | Assistant Sound Editor |
| Sound | Patrick J. Foley | Dialogue Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Costume & Make-Up | Karen Muller Serreau | Wardrobe Supervisor |
| Costume & Make-Up | Raffaella Iorio | Makeup Artist |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Kimaree Long | ADR Editor |
| Costume & Make-Up | Camille Janbon | Assistant Costume Designer |
| Sound | Dino DiMuro | Sound Effects Editor |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Dan Hegeman | Sound Effects Editor |
| Lighting | Yvan Quehec | Best Boy Electric |
