Na de ontsnapping uit z'n inrichting is seriemoordenaar Dr. Hannibal Lecter inmiddels al jaren ondergedoken in Florence. Een oud-slachtoffer van Lecter probeert hem terug te lokken naar Amerika, om wraak te kunnen nemen. Hij gebruikt hiervoor het enige waar Lecter in geïnteresseerd is: FBI-agente Clarice Sterling.
Nee, helaas is Hannibal nog niet beschikbaar op Netflix in Nederland.
| Writing | David Mamet | Screenplay |
| Writing | Thomas Harris | Novel |
| Camera | John Mathieson | Director of Photography |
| Production | Martha De Laurentiis | Producer |
| Production | Dino De Laurentiis | Producer |
| Writing | Steven Zaillian | Screenplay |
| Production | Branko Lustig | Executive Producer |
| Directing | Ridley Scott | Director |
| Production | Ridley Scott | Producer |
| Editing | Pietro Scalia | Editor |
| Sound | Hans Zimmer | Original Music Composer |
| Art | David Crank | Art Direction |
| Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
| Sound | Jon Title | Sound Effects Editor |
| Crew | Nicholas Atkinson | Visual Effects Editor |
| Sound | Vicki Hiatt | Music Editor |
| Sound | John T. Cucci | Foley |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Crew | Mike Barbour | Picture Car Coordinator |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Costume & Make-Up | Marci R. Johnson | Set Costumer |
| Camera | David M. Dunlap | Camera Operator |
| Costume & Make-Up | Dan Bronson | Costume Supervisor |
| Sound | Per Hallberg | Supervising Sound Editor |
| Camera | Daniele Massaccesi | Additional Camera |
| Costume & Make-Up | Linda M. Boyland | Set Costumer |
| Art | Norris Spencer | Production Design |
| Costume & Make-Up | Fabrizio Sforza | Makeup Department Head |
| Art | Halina Gebarowicz | Assistant Art Director |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Scott Sanders | Sound Effects Editor |
| Costume & Make-Up | Barbara De Leonardis | Hairstylist |
| Costume & Make-Up | Aaron F. Quarles | Hairstylist |
| Sound | Dan O'Connell | Foley |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Camera | Klemens Becker | Steadicam Operator |
| Art | Crispian Sallis | Set Decoration |
| Crew | Rob Harris | Unit Publicist |
| Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
| Art | Susan Maye | Art Department Coordinator |
| Camera | Phil Bray | Still Photographer |
| Lighting | Alberico Novelli | Gaffer |
| Crew | Laurent Hugueniot | CG Supervisor |
| Editing | Chisako Yokoyama | First Assistant Editor |
| Crew | Bob Foster | Transportation Coordinator |
| Sound | Dan Hegeman | Sound Effects Editor |
| Visual Effects | Emma Norton | Visual Effects Producer |
| Costume & Make-Up | Catharine Fletcher Incaprera | Set Costumer |
| Production | Louis DiGiaimo | Casting |
| Art | Richard Blankenship | Construction Coordinator |
| Visual Effects | Tim Burke | Visual Effects Supervisor |
| Directing | Luca Kouimelis | Script Supervisor |
| Costume & Make-Up | Janty Yates | Costume Design |
| Sound | Dino DiMuro | Sound Effects Editor |
| Crew | Phil Neilson | Stunt Coordinator |
| Lighting | Richie Ford | Rigging Gaffer |
| Art | Doug Huszti | Assistant Art Director |
| Lighting | Bill O'Leary | Gaffer |
| Sound | Marc Streitenfeld | Music Editor |
| Crew | Brian Smyj | Stunts |
| Crew | Cinda-Lin James | Stunts |
| Art | Pier Luigi Basile | Supervising Art Director |
| Directing | Alexander Witt | Second Unit Director |
| Sound | O.J. Connell III | Boom Operator |
| Sound | Michelle Pazer | ADR Editor |
| Sound | Peter Staubli | Foley Editor |
| Art | Douglas T. Madison | Property Master |
| Sound | Tim McColm | Sound Recordist |
| Sound | Paul Jyrälä | Foley Editor |
| Sound | David A. Cohen | Dialogue Editor |
| Sound | Danny Michael | Production Sound Mixer |
| Sound | Philip A. Hess | Foley Editor |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | Dennis Rogers | Sound Recordist |
| Sound | Jessica Gallavan | Supervising ADR Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | Andrew Schmetterling | Boom Operator |
| Camera | Alexander Witt | Second Unit Director of Photography |
| Crew | Jalil Jay Lynch | Stunts |
| Crew | James M. Churchman | Stunts |
| Crew | Cort Hessler | Stunts |
| Crew | David S. Lomax | Stunts |
| Crew | Kym Washington Longino | Stunts |
| Crew | Stephen A. Pope | Stunts |
| Crew | Mick O'Rourke | Stunts |
| Crew | Chuck Jeffreys | Stunts |
| Crew | Douglas Crosby | Stunts |
| Crew | Cynthia Neilson | Stunts |
| Crew | Lonnie R. Smith Jr. | Stunts |
| Crew | Derrick Simmons | Stunts |
| Directing | Adam Somner | Second Assistant Director |
| Art | Glen Hanz | Sculptor |
| Crew | Angela Savidge | Assistant Vehicles Coordinator |
| Visual Effects | Christy Gonzalez | Creature Design |
| Camera | Massimiliano Dessena | Best Boy Grip |
| Sound | Rupert Gregson-Williams | Musician |
| Sound | Jonathan Williams | Musician |
| Production | Ty Williams | Production Assistant |
| Crew | Lillan Gahlin | Compositor |
| Camera | Mitchell Andrew Lillian | Key Grip |
| Camera | Julian Brain | Helicopter Camera |
| Production | Angela Quiles | Production Supervisor |
