Irwin 'Fletch' Fletcher is een journalist in Los Angeles. Vermomd als zwerver wil hij een drugsnetwerk op het strand aan het het licht brengen om zo deze primeur te publiceren. Op een dag wordt hij benaderd door een zakenman, deze biedt Fletch een groot bedrag om hem te vermoorden. Fletch stemt toe, maar vertrouwt de zaak niet en gaat op onderzoek uit.
Nee, helaas is Fletch nog niet beschikbaar op Netflix in Nederland.
| Production | Peter Douglas | Producer |
| Editing | Richard A. Harris | Editor |
| Writing | Gregory McDonald | Novel |
| Sound | Harold Faltermeyer | Original Music Composer |
| Directing | Michael Ritchie | Director |
| Production | Alan Greisman | Producer |
| Writing | Andrew Bergman | Screenplay |
| Camera | Fred Schuler | Director of Photography |
| Crew | Jeannie Epper | Stunts |
| Crew | Vince Deadrick Jr. | Stunts |
| Crew | J.N. Roberts | Stunts |
| Crew | Walter Robles | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Larry Holt | Stunts |
| Production | Gordon A. Webb | Unit Production Manager |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Crew | Neal Kaz | Stunts |
| Crew | Gene LeBell | Stunts |
| Crew | Gary Epper | Stunts |
| Crew | Tim Gilbert | Stunts |
| Crew | Rick Overton | Stunts |
| Crew | Ray Marek | Stunts |
| Crew | Dean Jeffries | Stunt Coordinator |
| Art | Marvin March | Set Decoration |
| Crew | George P. Wilbur | Stunts |
| Crew | Carey Loftin | Stunts |
| Sound | Ronald Jacobs | Supervising Sound Editor |
| Crew | Joe Finnegan | Stunts |
| Art | Boris Leven | Production Design |
| Crew | Richard Epper | Stunts |
| Crew | Richard L. Duran | Stunts |
| Crew | Cliff Wenger | Special Effects |
| Costume & Make-Up | Bunny Parker | Hairstylist |
| Production | Patricia Mock | Casting |
| Directing | Larry Rapaport | Second Assistant Director |
| Directing | Wolfgang Glattes | First Assistant Director |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Production | Gordon A. Webb | Associate Producer |
| Crew | George Fisher | Stunts |
| Art | Todd Hallowell | Art Direction |
| Sound | Karen Brocco | Assistant Sound Editor |
| Sound | Vivien Hillgrove Gilliam | Dialogue Editor |
| Camera | Raymond Stella | Camera Operator |
| Camera | Gary B. Kibbe | Second Unit Director of Photography |
| Camera | Lou Barlia | Camera Operator |
| Art | Louis M. Mann | Set Designer |
| Sound | Dennie Thorpe | Foley |
| Sound | Robert Shoup | Sound Editor |
| Sound | James R. Alexander | Sound Mixer |
| Sound | Greg Agalsoff | Boom Operator |
| Camera | Henry M. Lebo | Camera Operator |
| Production | Carol Lefko | Casting Assistant |
| Production | Carlos Tappin | Extras Casting |
| Sound | Michael Magill | Assistant Sound Editor |
| Sound | David Franklin Bergad | Apprentice Sound Editor |
| Editing | Toni Morgan | Assistant Editor |
| Production | Ira S. Rosenstein | Location Manager |
| Directing | Peter Norman | Second Unit Director |
| Camera | Randy Tepper | Still Photographer |
| Sound | Karen Spangenberg | Sound Editor |
| Sound | Jeff Carson | Music Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Directing | Marshall Schlom | Script Supervisor |
| Production | Wolfgang Glattes | Production Consultant |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Lighting | Earl Gilbert | Chief Lighting Technician |
| Editing | Jack Garsha | Color Timer |
| Crew | Ken Lubin | Transportation Captain |
| Crew | Craig Pinkard | Transportation Coordinator |
| Production | Chip Fowler | Production Coordinator |
| Art | Paul Myerberg | Leadman |
| Art | Richard Reseigne | Construction Coordinator |
| Crew | Phyllis Gardner Hirsen | Unit Publicist |
| Camera | Gaylin P. Schultz | Key Grip |
