Irwin 'Fletch' Fletcher is een journalist in Los Angeles. Vermomd als zwerver wil hij een drugsnetwerk op het strand aan het het licht brengen om zo deze primeur te publiceren. Op een dag wordt hij benaderd door een zakenman, deze biedt Fletch een groot bedrag om hem te vermoorden. Fletch stemt toe, maar vertrouwt de zaak niet en gaat op onderzoek uit.
Nee, helaas is Fletch nog niet beschikbaar op Netflix in Nederland.
| Camera | Fred Schuler | Director of Photography |
| Production | Peter Douglas | Producer |
| Editing | Richard A. Harris | Editor |
| Writing | Andrew Bergman | Screenplay |
| Directing | Michael Ritchie | Director |
| Production | Alan Greisman | Producer |
| Sound | Harold Faltermeyer | Original Music Composer |
| Writing | Gregory McDonald | Novel |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Crew | Jeannie Epper | Stunts |
| Crew | Neal Kaz | Stunts |
| Crew | J.N. Roberts | Stunts |
| Crew | George Fisher | Stunts |
| Crew | Walter Robles | Stunts |
| Crew | Vince Deadrick Jr. | Stunts |
| Directing | Larry Rapaport | Second Assistant Director |
| Production | Gordon A. Webb | Unit Production Manager |
| Crew | Rick Overton | Stunts |
| Crew | Gary Epper | Stunts |
| Crew | Tim Gilbert | Stunts |
| Production | Patricia Mock | Casting |
| Directing | Wolfgang Glattes | First Assistant Director |
| Crew | Carey Loftin | Stunts |
| Crew | Joe Finnegan | Stunts |
| Costume & Make-Up | Bunny Parker | Hairstylist |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Art | Boris Leven | Production Design |
| Crew | Dick Warlock | Stunts |
| Crew | Ray Marek | Stunts |
| Crew | Larry Holt | Stunts |
| Production | Gordon A. Webb | Associate Producer |
| Crew | Gene LeBell | Stunts |
| Crew | Richard L. Duran | Stunts |
| Sound | Ronald Jacobs | Supervising Sound Editor |
| Art | Todd Hallowell | Art Direction |
| Crew | Dean Jeffries | Stunt Coordinator |
| Crew | Richard Epper | Stunts |
| Crew | Cliff Wenger | Special Effects |
| Crew | George P. Wilbur | Stunts |
| Art | Marvin March | Set Decoration |
| Sound | Karen Brocco | Assistant Sound Editor |
| Sound | Jeff Carson | Music Editor |
| Sound | Vivien Hillgrove Gilliam | Dialogue Editor |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Editing | Toni Morgan | Assistant Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Greg Agalsoff | Boom Operator |
| Production | Ira S. Rosenstein | Location Manager |
| Sound | Dennie Thorpe | Foley |
| Camera | Raymond Stella | Camera Operator |
| Directing | Marshall Schlom | Script Supervisor |
| Sound | David Franklin Bergad | Apprentice Sound Editor |
| Art | Louis M. Mann | Set Designer |
| Camera | Gary B. Kibbe | Second Unit Director of Photography |
| Sound | Karen Spangenberg | Sound Editor |
| Production | Carol Lefko | Casting Assistant |
| Sound | Michael Magill | Assistant Sound Editor |
| Camera | Henry M. Lebo | Camera Operator |
| Production | Wolfgang Glattes | Production Consultant |
| Camera | Randy Tepper | Still Photographer |
| Production | Carlos Tappin | Extras Casting |
| Directing | Peter Norman | Second Unit Director |
| Sound | Robert Shoup | Sound Editor |
| Sound | James R. Alexander | Sound Mixer |
| Camera | Lou Barlia | Camera Operator |
| Crew | Ken Lubin | Transportation Captain |
| Art | Paul Myerberg | Leadman |
| Art | Richard Reseigne | Construction Coordinator |
| Production | Chip Fowler | Production Coordinator |
| Lighting | Earl Gilbert | Chief Lighting Technician |
| Crew | Phyllis Gardner Hirsen | Unit Publicist |
| Crew | Craig Pinkard | Transportation Coordinator |
| Editing | Jack Garsha | Color Timer |
| Camera | Gaylin P. Schultz | Key Grip |
