New York, 1959. Max Bialystock was ooit een grote Broadway-producer, maar momenteel zijn al zijn producties gegarandeerde flops. Hij ziet zijn redding in de komst van de neurotische accountant Leo Bloom, die hem laat inzien dat flops zelfs veel lucratiever kunnen zijn dan succesvolle shows. De enige voorwaarde is dat de shows ook echt absoluut onsuccesvol zullen zijn. Teneinde dit te bereiken besluit het duo de musical 'Springtime for Hitler' te produceren. Dat moet wel een flop worden... toch?
Nee, helaas is The Producers nog niet beschikbaar op Netflix in Nederland.
| Editing | Steven Weisberg | Editor |
| Camera | John Bailey | Director of Photography |
| Camera | Charles Minsky | Director of Photography |
| Art | Peter Rogness | Art Direction |
| Production | Tara Jayne Rubin | Casting |
| Production | Amy Herman | Producer |
| Art | Mark Friedberg | Production Design |
| Sound | Glen Kelly | Original Music Composer |
| Production | Jonathan Sanger | Producer |
| Production | Mel Brooks | Producer |
| Writing | Thomas Meehan | Screenplay |
| Costume & Make-Up | William Ivey Long | Costume Design |
| Art | Ellen Christiansen | Set Decoration |
| Writing | Mel Brooks | Screenplay |
| Directing | Susan Stroman | Director |
| Sound | Doug Besterman | Orchestrator |
| Production | Leah Zappy | Associate Producer |
| Directing | Sam Hoffman | First Assistant Director |
| Sound | Lon Bender | Sound Designer |
| Sound | Tod A. Maitland | Sound Designer |
| Crew | Warren Carlyle | Associate Choreographer |
| Crew | Susan Stroman | Choreographer |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Production | Amy Herman | Unit Production Manager |
| Costume & Make-Up | Gail A. Fitzgibbons | Costume Supervisor |
| Costume & Make-Up | Kevin Draves | Costume Supervisor |
| Production | Jennifer Zolten Freed | Post Production Accountant |
| Crew | Marsha Robertson | Unit Publicist |
| Camera | Scott Tinsley | Second Assistant Camera |
| Camera | Beka Venezia | Camera Loader |
| Costume & Make-Up | Thomas Beall | Assistant Costume Designer |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Costume & Make-Up | Todd Kleitsch | Special Effects Makeup Artist |
| Sound | Nicholas Renbeck | Dialogue Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Editing | William Kruzykowski | Additional Editor |
| Art | Sandy Hamilton | Property Master |
| Production | Penni Smith | Payroll Accountant |
| Costume & Make-Up | Jerry Popolis | Hair Department Head |
| Lighting | Kevin Janicelli | Rigging Gaffer |
| Production | Betsy Alton | Production Coordinator |
| Sound | Dan Lieberstein | Supervising Music Editor |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Art | Gay Howard | Art Department Coordinator |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Costume & Make-Up | Kate Biscoe | Makeup Department Head |
| Camera | Daniel Beaman | Dolly Grip |
| Sound | Michael Scott | Boom Operator |
| Art | Mark Pollard | Graphic Designer |
| Editing | Rick Derby | Assistant Editor |
| Sound | Dave Paterson | Sound Effects Editor |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Lighting | Michael J. Maurer | Best Boy Electrician |
| Visual Effects | Steven Kirshoff | Special Effects Supervisor |
| Sound | Lon Bender | Supervising Sound Editor |
| Costume & Make-Up | Elizabeth Shelton | Assistant Costume Designer |
| Costume & Make-Up | Kyra Panchenko | Makeup Artist |
| Art | Rena DeAngelo | Assistant Set Decoration |
| Sound | Sean Garnhart | Sound Effects Editor |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Directing | Kathryn-Ann Oaks Shertzer | Second Second Assistant Director |
| Sound | Warren Shaw | Sound Effects Editor |
| Directing | Jessica Lichtner | Script Supervisor |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Bobby Mancuso | First Assistant Camera |
| Costume & Make-Up | Lisa Layman | Makeup & Hair |
| Camera | Patrick McGrath | Dolly Grip |
| Camera | Bob Becchio | First Assistant Camera |
| Costume & Make-Up | Karen Specht | Key Hair Stylist |
| Camera | Glen Engels | Best Boy Grip |
| Camera | Andrew Casey | Camera Operator |
| Sound | Timothy R. Boyce Jr. | Utility Sound |
| Production | Whitney J. Willard | Production Accountant |
| Production | James Hinton | First Assistant Accountant |
| Camera | Patrick Capone | Camera Operator |
| Camera | Richard Guinness Jr. | Key Grip |
| Camera | Amanda Hudson | Second Assistant Camera |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Editing | Devon Miller | Digital Intermediate Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Missy Cohen | Music Editor |
| Sound | David Boulton | ADR Mixer |
| Sound | Bradford L. Hohle | Dolby Consultant |
| Sound | Bill Orrico | Assistant Sound Editor |
| Editing | Jim Passon | Color Timer |
| Sound | John M. Davis | Music Editor |
| Sound | Allen Lau | Assistant Sound Editor |
| Sound | Bill Sweeney | Foley Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Jay Peck | Foley Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Gina Alfano | Supervising ADR Editor |
| Crew | James Fanning | Transportation Captain |
| Sound | Bobby Johanson | ADR Mixer |
| Sound | Ryan Collison | Foley Mixer |
| Editing | Michael Kennedy | Digital Intermediate Producer |
| Crew | Blaise Corrigan | Stunt Coordinator |
| Sound | Mel Brooks | Songs |
| Art | Jeffrey Rollins | Set Dresser |
| Crew | John Cenatiempo | Stunts |
| Visual Effects | Dan Cox | Modeling |
