New York, 1959. Max Bialystock was ooit een grote Broadway-producer, maar momenteel zijn al zijn producties gegarandeerde flops. Hij ziet zijn redding in de komst van de neurotische accountant Leo Bloom, die hem laat inzien dat flops zelfs veel lucratiever kunnen zijn dan succesvolle shows. De enige voorwaarde is dat de shows ook echt absoluut onsuccesvol zullen zijn. Teneinde dit te bereiken besluit het duo de musical 'Springtime for Hitler' te produceren. Dat moet wel een flop worden... toch?
Nee, helaas is The Producers nog niet beschikbaar op Netflix in Nederland.
| Production | Jonathan Sanger | Producer |
| Production | Amy Herman | Producer |
| Art | Peter Rogness | Art Direction |
| Camera | John Bailey | Director of Photography |
| Camera | Charles Minsky | Director of Photography |
| Sound | Glen Kelly | Original Music Composer |
| Editing | Steven Weisberg | Editor |
| Directing | Susan Stroman | Director |
| Production | Tara Jayne Rubin | Casting |
| Costume & Make-Up | William Ivey Long | Costume Design |
| Writing | Thomas Meehan | Screenplay |
| Art | Mark Friedberg | Production Design |
| Writing | Mel Brooks | Screenplay |
| Production | Mel Brooks | Producer |
| Art | Ellen Christiansen | Set Decoration |
| Crew | Susan Stroman | Choreographer |
| Production | Leah Zappy | Associate Producer |
| Sound | Lon Bender | Sound Designer |
| Production | Amy Herman | Unit Production Manager |
| Sound | Doug Besterman | Orchestrator |
| Crew | Warren Carlyle | Associate Choreographer |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Sound | Tod A. Maitland | Sound Designer |
| Directing | Sam Hoffman | First Assistant Director |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Richard Guinness Jr. | Key Grip |
| Editing | William Kruzykowski | Additional Editor |
| Costume & Make-Up | Todd Kleitsch | Special Effects Makeup Artist |
| Crew | Marsha Robertson | Unit Publicist |
| Sound | Sean Garnhart | Sound Effects Editor |
| Camera | Patrick McGrath | Dolly Grip |
| Sound | Dave Paterson | Sound Effects Editor |
| Costume & Make-Up | Thomas Beall | Assistant Costume Designer |
| Costume & Make-Up | Kevin Draves | Costume Supervisor |
| Costume & Make-Up | Kate Biscoe | Makeup Department Head |
| Editing | Rick Derby | Assistant Editor |
| Sound | Nicholas Renbeck | Dialogue Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Sound | Bobby Johanson | ADR Mixer |
| Costume & Make-Up | Elizabeth Shelton | Assistant Costume Designer |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Camera | Bobby Mancuso | First Assistant Camera |
| Camera | Amanda Hudson | Second Assistant Camera |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Camera | Patrick Capone | Camera Operator |
| Production | Betsy Alton | Production Coordinator |
| Sound | David Boulton | ADR Mixer |
| Camera | Andrew Casey | Camera Operator |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Lighting | Kevin Janicelli | Rigging Gaffer |
| Sound | Timothy R. Boyce Jr. | Utility Sound |
| Production | Whitney J. Willard | Production Accountant |
| Production | James Hinton | First Assistant Accountant |
| Sound | Lon Bender | Supervising Sound Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Warren Shaw | Sound Effects Editor |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Art | Sandy Hamilton | Property Master |
| Costume & Make-Up | Kyra Panchenko | Makeup Artist |
| Production | Jennifer Zolten Freed | Post Production Accountant |
| Sound | John M. Davis | Music Editor |
| Sound | Bradford L. Hohle | Dolby Consultant |
| Camera | Scott Tinsley | Second Assistant Camera |
| Camera | Beka Venezia | Camera Loader |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Lighting | Michael J. Maurer | Best Boy Electrician |
| Camera | Daniel Beaman | Dolly Grip |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Missy Cohen | Music Editor |
| Sound | Dan Lieberstein | Supervising Music Editor |
| Art | Gay Howard | Art Department Coordinator |
| Sound | Michael Scott | Boom Operator |
| Visual Effects | Steve Kirshoff | Special Effects Supervisor |
| Costume & Make-Up | Karen Specht | Key Hair Stylist |
| Camera | Glen Engels | Best Boy Grip |
| Art | Rena DeAngelo | Assistant Set Decoration |
| Directing | Kathryn-Ann Oaks Shertzer | Second Second Assistant Director |
| Directing | Jessica Lichtner | Script Supervisor |
| Camera | Bob Becchio | First Assistant Camera |
| Costume & Make-Up | Lisa Layman | Makeup & Hair |
| Costume & Make-Up | Jerry Popolis | Hair Department Head |
| Production | Penni Smith | Payroll Accountant |
| Sound | Bill Orrico | Assistant Sound Editor |
| Costume & Make-Up | Gail A. Fitzgibbons | Costume Supervisor |
| Art | Mark Pollard | Graphic Designer |
| Sound | Jay Peck | Foley Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Crew | James Fanning | Transportation Captain |
| Sound | Ryan Collison | Foley Mixer |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Editing | Michael Kennedy | Digital Intermediate Producer |
| Editing | Devon Miller | Digital Intermediate Editor |
| Sound | Allen Lau | Assistant Sound Editor |
| Sound | Gina Alfano | Supervising ADR Editor |
| Sound | Bill Sweeney | Foley Editor |
| Editing | Jim Passon | Color Timer |
| Crew | Blaise Corrigan | Stunt Coordinator |
| Sound | Mel Brooks | Songs |
| Art | Jeffrey Rollins | Set Dresser |
| Crew | John Cenatiempo | Stunts |
| Visual Effects | Dan Cox | Modeling |
