Justine is een 30-jarige vrouw die vast zit in een saai leventje: ze woont in een klein dorp in het zuiden van Amerika, werkt al jaren in een grote winkel, heeft een weinig spannend huwelijk en kan maar geen kinderen krijgen. Dit verandert wanneer ze een geheime relatie krijgt met een jonge collega. Wanneer de beste vriend van haar echtgenoot dit ontdekt beginnen de problemen, en wordt Justine gedwongen een keuze te maken.
Nee, helaas is The Good Girl nog niet beschikbaar op Netflix in Nederland.
| Production | Kirk D'Amico | Executive Producer |
| Production | Philip von Alvensleben | Executive Producer |
| Art | Macie Vener | Art Direction |
| Production | Joanna Colbert | Casting |
| Directing | Miguel Arteta | Director |
| Editing | Jeff Betancourt | Editor |
| Production | Carol Baum | Executive Producer |
| Sound | Mark Orton | Original Music Composer |
| Sound | Joey Waronker | Original Music Composer |
| Costume & Make-Up | Nancy Steiner | Costume Design |
| Art | Susan Emshwiller | Set Decoration |
| Sound | Tony Maxwell | Original Music Composer |
| Production | Matthew Greenfield | Producer |
| Camera | Enrique Chediak | Director of Photography |
| Art | Daniel Bradford | Production Design |
| Sound | James O'Brien | Original Music Composer |
| Writing | Mike White | Writer |
| Sound | Dan Lipe | Boom Operator |
| Directing | Jeff Bilger | Second Second Assistant Director |
| Directing | Petra Jorgensen | Script Supervisor |
| Directing | Marge Piane | Second Assistant Director |
| Crew | Robert Jauregui | Stunts |
| Production | William S. White | Production Secretary |
| Editing | Andrew Loschin | First Assistant Editor |
| Art | Gretchen Engel | Art Department Coordinator |
| Camera | Rusty Geller | Steadicam Operator |
| Camera | Bobby D. Bartlett | Grip |
| Production | Jeff Olan | Extras Casting |
| Lighting | Moulaye Sene | Electrician |
| Camera | Charles 'Woody' Lang | Best Boy Grip |
| Art | Ken Scaife | Construction Coordinator |
| Crew | Steven Kaminsky | Post Production Supervisor |
| Camera | Kelly Krotine | Second Assistant Camera |
| Lighting | Louis DiCesare | Chief Lighting Technician |
| Art | Christopher Coulson | Leadman |
| Sound | Yehuda Maayan | Sound Mixer |
| Camera | Tom Adams | Dolly Grip |
| Camera | Dave Harvey | Grip |
| Art | Joe Lozano | Greensman |
| Camera | Colin Anderson | Steadicam Operator |
| Camera | Randy Nolen | Steadicam Operator |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Costume & Make-Up | Chris Burrows | Costume Supervisor |
| Production | Peter McManus | Production Accountant |
| Production | Robert Yacobian | First Assistant Accountant |
| Crew | Bradley M. Goodman | Post Production Supervisor |
| Camera | Robert Magnano | First Assistant Camera |
| Directing | Rebecca Fulton | Script Supervisor |
| Costume & Make-Up | Daniel Curet | Key Hair Stylist |
| Production | Meredith Tucker | Casting |
| Crew | Charmaine Boos | Studio Teacher |
| Crew | Joy Ellison | Dialect Coach |
| Camera | Christianne Kira Parser | Second Assistant Camera |
| Camera | Dale Robinette | Still Photographer |
| Directing | John Riley | Second Second Assistant Director |
| Production | Shelly Glasser | Co-Producer |
| Camera | Darin Moran | Camera Operator |
| Production | Leslie Silvey | Production Coordinator |
| Production | Damiana Kamishin | Assistant Production Coordinator |
| Camera | William Christie | Grip |
| Crew | Russ Tolliver | Transportation Co-Captain |
| Production | Gina Kwon | Co-Producer |
| Production | Shelly Glasser | Unit Production Manager |
| Art | Frank B. Nieves | Construction Foreman |
| Directing | Linda Brachman | First Assistant Director |
| Sound | Margaret Yen | Music Supervisor |
| Art | Gabor Szitanyi | Set Dresser |
| Sound | Stephen Lotwis | Music Editor |
| Sound | Eddie Kim | Sound Effects Designer |
| Crew | Francie Brown | Dialect Coach |
| Sound | Wayne Heitman | Sound Re-Recording Mixer |
| Sound | Jessica Clements | Music Coordinator |
| Sound | Alyson Dee Moore | Foley Artist |
| Production | France Myung Fagin | Location Manager |
| Crew | Steve Zerweck | Transportation Captain |
| Sound | Stephanie Flack | Dialogue Editor |
| Crew | Wendy Wilhite Chatley | Studio Teacher |
| Crew | Michael Merrick | Transportation Coordinator |
| Sound | John Roesch | Foley Artist |
| Crew | Francie Agajanian | Studio Teacher |
| Crew | Steve M. Miliotti | Craft Service |
| Sound | Christopher Alba | First Assistant Sound Editor |
| Sound | Peter Afterman | Music Consultant |
| Editing | Dennis McNeill | Color Timer |
| Camera | Lloyd Moriarity | Key Grip |
| Art | Michael Carney | Property Master |
| Art | Derrick Hinman | Assistant Property Master |
| Costume & Make-Up | Darla Albright | Assistant Makeup Artist |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Sound | Lana Warnock | Assistant Sound Editor |
| Sound | Carolyn Tapp | Foley Recordist |
| Lighting | Pierre Cane | Electrician |
| Costume & Make-Up | Carol Schwartz | Key Makeup Artist |
| Production | Charles Fagin | Assistant Location Manager |
| Lighting | Kevin P. Patterson | Electrician |
| Costume & Make-Up | Christie Wittenborn | Key Costumer |
| Crew | David Waine | Special Effects Coordinator |
| Sound | Chris David | Sound Re-Recording Mixer |
| Lighting | Tim Durr | Best Boy Electric |
| Camera | John Emory | Grip |
| Sound | Christopher Sheldon | Supervising Sound Editor |
| Sound | Matthew C. Beville | ADR Mixer |
| Sound | Joey Waronker | Music Consultant |
| Sound | Marilyn Graf | Foley Mixer |
| Sound | Eryne Prine | Assistant Sound Editor |
| Crew | Lucas Foster | Thanks |
