Weinigen weten dat dictator Joseph Stalin de laatste nacht van zijn leven doorbracht in de armen van de vurige Australische communist Joan Fraser. Als resultaat van die vluchtige relatie zou Joe Welch geboren worden, een gewone zoon die veel te maken zou hebben met het uitbreken van de Australische Burgeroorlog. Maar dat was allemaal in de jaren vijftig. Nu, in 1990, is Joe een vooraanstaand politicus geworden die in ernstige moeilijkheden zal belanden...
Nee, helaas is Children of the Revolution nog niet beschikbaar op Netflix in Nederland.
| Production | Tristram Miall | Producer |
| Sound | Nigel Westlake | Original Music Composer |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Editing | Simon Martin | Editor |
| Art | Roger Ford | Production Design |
| Production | Robyn Kershaw | Casting |
| Camera | Martin McGrath | Director of Photography |
| Writing | Peter Duncan | Author |
| Art | Kerrie Brown | Set Decoration |
| Production | Peter Duncan | Casting |
| Directing | Peter Duncan | Director |
| Art | Laurie Faen | Art Direction |
| Camera | Martin Lee | Steadicam Operator |
| Camera | Graham Sharpe | Camera Operator |
| Camera | Philip le Masurier | Still Photographer |
| Directing | Jennifer Leacey | Third Assistant Director |
| Camera | Katrina Crook | Focus Puller |
| Writing | Simon Martin | Script Editor |
| Directing | P.J. Voeten | First Assistant Director |
| Camera | John Tate | Assistant Grip |
| Camera | Ian Phillips | Focus Puller |
| Camera | Colin Deane | Focus Puller |
| Camera | James Rickard | Focus Puller |
| Camera | Brett McDowell | Key Grip |
| Directing | Kate Dennis | Continuity |
| Camera | Robert Agganis | Steadicam Operator |
| Camera | Michele Duval | Clapper Loader |
| Lighting | Greg Rawson | Best Boy Electric |
| Directing | John Martin | Second Assistant Director |
| Camera | Danny Batterham | Camera Operator |
| Production | Greg Ricketson | Production Supervisor |
| Crew | John O'Connell | Choreographer |
| Crew | Simon Martin | Post Production Supervisor |
| Sound | Antony Gray | Sound Effects Editor |
| Costume & Make-Up | Yvonne Savage | Hairstylist |
| Costume & Make-Up | Wendy Sainsbury | Prosthetic Makeup Artist |
| Writing | Peter Duncan | Screenplay |
| Costume & Make-Up | Kirsten Veysey | Makeup Artist |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Costume & Make-Up | Nik Dorning | Prosthetic Makeup Artist |
| Editing | Gregory Klumov | Archival Footage Research |
| Production | Greg Ricketson | Associate Producer |
| Sound | Guntis Sics | Sound Recordist |
| Art | Tracey Hyde-Moxham | Art Department Coordinator |
| Crew | John Bowring | Armorer |
| Sound | Andrew Plain | Supervising Sound Editor |
| Art | Libby Blainey | Title Designer |
| Crew | Richard Boué | Stunt Coordinator |
| Sound | Libby Villa | Dialogue Editor |
| Sound | Christine Woodruff | Music Coordinator |
| Crew | John Bowring | Special Effects |
| Costume & Make-Up | Kirsten Veysey | Prosthetic Makeup Artist |
| Editing | Martin Connor | First Assistant Editor |
| Production | Georgina Burke | Researcher |
| Costume & Make-Up | Ann-Maree Hurley | Prosthetic Makeup Artist |
| Editing | John Lee | Assistant Editor |
